Alison stigora’s art descends like a waterfall into the exhibition space, which is odd because it is comprised of huge burnt tree trunks, seared old fence posts and scorched branches. Her latest and most ambitious piece, “Crossing Jordan,” is a massive installation at the Skybox event space in the 2424 Studios building in Fishtown. The
MorePhoto Credit: Meei-Ling Ng
A thick row of lush golden wheat, grass, and straw, standing roughly six feet high, divides the weathered brick interior of the Mt. Airy Art Garage (MAAG). A gap in the middle serves as the entrance to the gallery’s first installation, “Recapturing Memories”, by art director Meei- Ling Ng. The words “Explore, Laugh,
Fracking—the controversial natural gas drilling technique is constantly in Philadelphia news. But what do you really know about the issue? In an effort to bring some clarity to what fracking is and how it’s affecting Pennsylvania, Temple Gallery, in conjunction with the Center for Natural Resources Development and Protection is holding a day-long conference today,
MoreThis weekend, the 2011 Community Arts Festival (CAFe) comes together to promote local artists and the importance of environmental sustainability. Featuring organizations from all over the city, there are plenty of diverse passions to discover: ceramics with Old City’s Clay Studios; Arabic calligraphy with Albustan Seeds of Culture, a local nonprofit that teaches Arabic language,
MorePeeking out between the colonial brick buildings on South 5th Street, a 52-foot, ribcage-like structure is a stranger amidst the relics of Old City. Neon orange, green and blue plastic panels, as well as plant life, stick out from all angles. The structure is a greenhouse and part of “The Greenhouse Projects,” a special exhibit at the American
More"The world is flat” is a large map of the world I made of found cardboard. It was originally created for the Chestnut Hill Arts Initiative and exhibited in an abandoned car dealership window as part of a series of installations in public venues. Painted with acrylic, charcoal and pencil, it feels to me more
MoreOn November 2, the Philadelphia Museum of Art debuted Michelangelo Pistoletto: From One to Many, 1956–1974, a survey of the Italian artist’s varied and complex oeuvre, and Michelangelo Pistoletto: Cittadellarte, an exhibition of the artist’s current work at his interdisciplinary laboratory. Pistoletto has long used his work as a lens for contemporary society—this includes issues
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