Pennsylvania Academy of the Fine Arts

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

Learn the techniques and tools of figure sculpture through demonstration and hands-on sculpting from the model. Explore anatomy, proportion, gesture, and design through the versatility of clay. Personal expression will be emphasized though representational and abstract approaches. Open to all levels and perfect for beginners. Note: Tuition includes a $35 models fee. Weekend Workshop Instructor: Colleen O'Donnell Date & Time: June 27 & June 28, Saturday & Sunday, 9 AM - 4 PM PAFA members at the Dual Plus or Friend level and above receive 10% off. Discount applies to CE regular adult Summer Session 1 and 2 classes and

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. Organized in conjunction with America's 250th anniversary, A Nation of Artists examines how artistic production in the United States has been shaped by creativity, exchange, expansion, conflict, and innovation. At PAFA, works made from the late 18th century to today

Learn the techniques and tools of figure sculpture through demonstration and hands-on sculpting from the model. Explore anatomy, proportion, gesture, and design through the versatility of clay. Personal expression will be emphasized though representational and abstract approaches. Open to all levels and perfect for beginners. Note: Tuition includes a $35 models fee. Weekend Workshop Instructor: Colleen O'Donnell Date & Time: June 27 & June 28, Saturday & Sunday, 9 AM - 4 PM PAFA members at the Dual Plus or Friend level and above receive 10% off. Discount applies to CE regular adult Summer Session 1 and 2 classes and

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. Organized in conjunction with America's 250th anniversary, A Nation of Artists examines how artistic production in the United States has been shaped by creativity, exchange, expansion, conflict, and innovation. At PAFA, works made from the late 18th century to today

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. Organized in conjunction with America's 250th anniversary, A Nation of Artists examines how artistic production in the United States has been shaped by creativity, exchange, expansion, conflict, and innovation. At PAFA, works made from the late 18th century to today

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. Organized in conjunction with America's 250th anniversary, A Nation of Artists examines how artistic production in the United States has been shaped by creativity, exchange, expansion, conflict, and innovation. At PAFA, works made from the late 18th century to today

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

This workshop explores the evocative world of nocturne painting through the delicate and expressive medium of watercolor. Focusing on landscape scenes at the edge of day—sunset, twilight, and night—students will learn to capture the silvery light and subtle atmospheric effects that define these transitional hours. Learn how to work with restrained hues and layered washes to create a sense of depth and unity, to suggest rather than describe subject matter. Instruction will emphasize tonalist concerns of working with muted color palettes, gentle value shifts, and harmonious compositions. Through individualized guidance, participants will hone their sensitivity to tonal relationships and the

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. Organized in conjunction with America's 250th anniversary, A Nation of Artists examines how artistic production in the United States has been shaped by creativity, exchange, expansion, conflict, and innovation. At PAFA, works made from the late 18th century to today

This workshop explores the evocative world of nocturne painting through the delicate and expressive medium of watercolor. Focusing on landscape scenes at the edge of day—sunset, twilight, and night—students will learn to capture the silvery light and subtle atmospheric effects that define these transitional hours. Learn how to work with restrained hues and layered washes to create a sense of depth and unity, to suggest rather than describe subject matter. Instruction will emphasize tonalist concerns of working with muted color palettes, gentle value shifts, and harmonious compositions. Through individualized guidance, participants will hone their sensitivity to tonal relationships and the

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. Organized in conjunction with America's 250th anniversary, A Nation of Artists examines how artistic production in the United States has been shaped by creativity, exchange, expansion, conflict, and innovation. At PAFA, works made from the late 18th century to today

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. Organized in conjunction with America's 250th anniversary, A Nation of Artists examines how artistic production in the United States has been shaped by creativity, exchange, expansion, conflict, and innovation. At PAFA, works made from the late 18th century to today

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building, for one year, in conjunction with the exhibition A Nation of Artists. As an artist living and working in New York City, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art, the American

The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. Organized in conjunction with America's 250th anniversary, A Nation of Artists examines how artistic production in the United States has been shaped by creativity, exchange, expansion, conflict, and innovation. At PAFA, works made from the late 18th century to today

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human