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DTSTART;TZID=America/New_York:20260604T100000
DTEND;TZID=America/New_York:20260604T170000
DTSTAMP:20260602T090140
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031196-1780567200-1780592400@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-06-04/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260604T100000
DTEND;TZID=America/New_York:20260604T170000
DTSTAMP:20260602T090140
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10031857-1780567200-1780592400@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2026-06-04/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260606T090000
DTEND;TZID=America/New_York:20260607T170000
DTSTAMP:20260602T090140
CREATED:20260513T203549Z
LAST-MODIFIED:20260513T203549Z
UID:10032698-1780736400-1780851600@gridphilly.com
SUMMARY:Watercolor Workshop with James Toogood
DESCRIPTION:Interested in learning or improving your watercolor skills? All materials and techniques will be discussed\, including the selection of papers\, brushes\, and pigments\, as well as transparent and opaque painting methods. Students will work from still-life subjects and/or their own source material. \nAll levels welcome. \nWeekend Workshop \nInstructor: James Toogood \nDate & Time: June 6 & June 7\, Saturday & Sunday\, 9 AM – 5PM \nPAFA members at the Dual Plus or Friend level and above receive 10% off. Discount applies to CE regular adult Summer Session 1 and 2 classes and workshops only. Spring 2026 courses\, Summer Studio-Critique/studio rental programs\, gift certificates\, membership purchases\, and lockers are ineligible. \nFeatured Artwork by James Toogood \nHappens on the following Dates:\nJun 6\, 2026\, 9:00am to 5:00pm Timezone: Eastern Time (US & Canada)\nJun 7\, 2026\, 9:00am to 5:00pm Timezone: Eastern Time (US & Canada)
URL:https://gridphilly.com/event/watercolor-workshop-with-james-toogood/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/04/Watercolor-Workshop.png
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260606T100000
DTEND;TZID=America/New_York:20260606T170000
DTSTAMP:20260602T090140
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10031859-1780740000-1780765200@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2026-06-06/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260606T130000
DTEND;TZID=America/New_York:20260606T140000
DTSTAMP:20260602T090140
CREATED:20260428T191633Z
LAST-MODIFIED:20260428T191633Z
UID:10032473-1780750800-1780754400@gridphilly.com
SUMMARY:Exhibition Tours: A Nation of Artists
DESCRIPTION:The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents\, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. \nOrganized in conjunction with America’s 250th anniversary\, A Nation of Artists examines how artistic production in the United States has been shaped by creativity\, exchange\, expansion\, conflict\, and innovation. At PAFA\, works made from the late 18th century to today will be arranged thematically to explore scenes of westward expansion\, the rise of industry\, and international exchange. \nInstalled throughout PAFA’s recently restored Historic Landmark Building\, the exhibition will chart America’s history from 1700 to the present day thorough more than 1\,000 paintings\, photographs\, sculptures\, decorative arts\, and more. Across PAFA and the Philadelphia Museum of Art\, more than 120 rarely seen works from the Middleton Family Collection—one of the nation’s most significant private holdings of American art—will be on public view for the first time. \nTickets Include:\nAll day museum admission\n20% off food & drinks at the PAFA Museum Store
URL:https://gridphilly.com/event/exhibition-tours-a-nation-of-artists/2026-06-06/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
CATEGORIES:Art Exhibitions
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-101807.png
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260607T100000
DTEND;TZID=America/New_York:20260607T170000
DTSTAMP:20260602T090140
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031199-1780826400-1780851600@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-06-07/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260608T100000
DTEND;TZID=America/New_York:20260608T170000
DTSTAMP:20260602T090140
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031200-1780912800-1780938000@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-06-08/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260611T100000
DTEND;TZID=America/New_York:20260611T170000
DTSTAMP:20260602T090140
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031201-1781172000-1781197200@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-06-11/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260611T100000
DTEND;TZID=America/New_York:20260611T170000
DTSTAMP:20260602T090140
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10031861-1781172000-1781197200@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2026-06-11/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260613T100000
DTEND;TZID=America/New_York:20260613T170000
DTSTAMP:20260602T090140
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10031863-1781344800-1781370000@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2026-06-13/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260613T130000
DTEND;TZID=America/New_York:20260613T140000
DTSTAMP:20260602T090140
CREATED:20260428T191633Z
LAST-MODIFIED:20260428T191633Z
UID:10032474-1781355600-1781359200@gridphilly.com
SUMMARY:Exhibition Tours: A Nation of Artists
DESCRIPTION:The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents\, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. \nOrganized in conjunction with America’s 250th anniversary\, A Nation of Artists examines how artistic production in the United States has been shaped by creativity\, exchange\, expansion\, conflict\, and innovation. At PAFA\, works made from the late 18th century to today will be arranged thematically to explore scenes of westward expansion\, the rise of industry\, and international exchange. \nInstalled throughout PAFA’s recently restored Historic Landmark Building\, the exhibition will chart America’s history from 1700 to the present day thorough more than 1\,000 paintings\, photographs\, sculptures\, decorative arts\, and more. Across PAFA and the Philadelphia Museum of Art\, more than 120 rarely seen works from the Middleton Family Collection—one of the nation’s most significant private holdings of American art—will be on public view for the first time. \nTickets Include:\nAll day museum admission\n20% off food & drinks at the PAFA Museum Store
URL:https://gridphilly.com/event/exhibition-tours-a-nation-of-artists/2026-06-13/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
CATEGORIES:Art Exhibitions
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-101807.png
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260614T100000
DTEND;TZID=America/New_York:20260614T170000
DTSTAMP:20260602T090140
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031204-1781431200-1781456400@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-06-14/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260615T100000
DTEND;TZID=America/New_York:20260615T170000
DTSTAMP:20260602T090140
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031205-1781517600-1781542800@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-06-15/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260618T100000
DTEND;TZID=America/New_York:20260618T170000
DTSTAMP:20260602T090140
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031206-1781776800-1781802000@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-06-18/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260618T100000
DTEND;TZID=America/New_York:20260618T170000
DTSTAMP:20260602T090140
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10031865-1781776800-1781802000@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2026-06-18/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260620T100000
DTEND;TZID=America/New_York:20260620T170000
DTSTAMP:20260602T090140
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10031867-1781949600-1781974800@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2026-06-20/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260620T130000
DTEND;TZID=America/New_York:20260620T140000
DTSTAMP:20260602T090140
CREATED:20260428T191633Z
LAST-MODIFIED:20260428T191633Z
UID:10032475-1781960400-1781964000@gridphilly.com
SUMMARY:Exhibition Tours: A Nation of Artists
DESCRIPTION:The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents\, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. \nOrganized in conjunction with America’s 250th anniversary\, A Nation of Artists examines how artistic production in the United States has been shaped by creativity\, exchange\, expansion\, conflict\, and innovation. At PAFA\, works made from the late 18th century to today will be arranged thematically to explore scenes of westward expansion\, the rise of industry\, and international exchange. \nInstalled throughout PAFA’s recently restored Historic Landmark Building\, the exhibition will chart America’s history from 1700 to the present day thorough more than 1\,000 paintings\, photographs\, sculptures\, decorative arts\, and more. Across PAFA and the Philadelphia Museum of Art\, more than 120 rarely seen works from the Middleton Family Collection—one of the nation’s most significant private holdings of American art—will be on public view for the first time. \nTickets Include:\nAll day museum admission\n20% off food & drinks at the PAFA Museum Store
URL:https://gridphilly.com/event/exhibition-tours-a-nation-of-artists/2026-06-20/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
CATEGORIES:Art Exhibitions
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-101807.png
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260621T100000
DTEND;TZID=America/New_York:20260621T170000
DTSTAMP:20260602T090140
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031209-1782036000-1782061200@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-06-21/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260622T100000
DTEND;TZID=America/New_York:20260622T170000
DTSTAMP:20260602T090140
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031210-1782122400-1782147600@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-06-22/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260625T100000
DTEND;TZID=America/New_York:20260625T170000
DTSTAMP:20260602T090140
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031211-1782381600-1782406800@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-06-25/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260625T100000
DTEND;TZID=America/New_York:20260625T170000
DTSTAMP:20260602T090140
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10031869-1782381600-1782406800@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2026-06-25/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260627T090000
DTEND;TZID=America/New_York:20260628T160000
DTSTAMP:20260602T090140
CREATED:20260504T123953Z
LAST-MODIFIED:20260504T123953Z
UID:10034593-1782550800-1782662400@gridphilly.com
SUMMARY:The Figure in Clay Workshop with Colleen O'Donnell
DESCRIPTION:Learn the techniques and tools of figure sculpture through demonstration and hands-on sculpting from the model. Explore anatomy\, proportion\, gesture\, and design through the versatility of clay. Personal expression will be emphasized though representational and abstract approaches. \nOpen to all levels and perfect for beginners. \nNote: Tuition includes a $35 models fee. \nWeekend Workshop \nInstructor: Colleen O’Donnell \nDate & Time: June 27 & June 28\, Saturday & Sunday\, 9 AM – 4 PM \nPAFA members at the Dual Plus or Friend level and above receive 10% off. Discount applies to CE regular adult Summer Session 1 and 2 classes and workshops only. Spring 2026 courses\, Summer Studio-Critique/studio rental programs\, gift certificates\, membership purchases\, and lockers are ineligible. \nFeatured Artwork by James Toogood \nHappens on the following Dates:\nJun 27\, 2026\, 9:00am to 4:00pm Timezone: Eastern Time (US & Canada)\nJun 28\, 2026\, 9:00am to 4:00pm Timezone: Eastern Time (US & Canada)
URL:https://gridphilly.com/event/the-figure-in-clay-workshop-with-colleen-odonnell/2026-06-27/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/05/The-Figure-in-Clay.png
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260627T100000
DTEND;TZID=America/New_York:20260627T170000
DTSTAMP:20260602T090140
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10031871-1782554400-1782579600@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2026-06-27/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260627T130000
DTEND;TZID=America/New_York:20260627T140000
DTSTAMP:20260602T090140
CREATED:20260428T191633Z
LAST-MODIFIED:20260428T191633Z
UID:10032476-1782565200-1782568800@gridphilly.com
SUMMARY:Exhibition Tours: A Nation of Artists
DESCRIPTION:The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents\, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. \nOrganized in conjunction with America’s 250th anniversary\, A Nation of Artists examines how artistic production in the United States has been shaped by creativity\, exchange\, expansion\, conflict\, and innovation. At PAFA\, works made from the late 18th century to today will be arranged thematically to explore scenes of westward expansion\, the rise of industry\, and international exchange. \nInstalled throughout PAFA’s recently restored Historic Landmark Building\, the exhibition will chart America’s history from 1700 to the present day thorough more than 1\,000 paintings\, photographs\, sculptures\, decorative arts\, and more. Across PAFA and the Philadelphia Museum of Art\, more than 120 rarely seen works from the Middleton Family Collection—one of the nation’s most significant private holdings of American art—will be on public view for the first time. \nTickets Include:\nAll day museum admission\n20% off food & drinks at the PAFA Museum Store
URL:https://gridphilly.com/event/exhibition-tours-a-nation-of-artists/2026-06-27/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
CATEGORIES:Art Exhibitions
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-101807.png
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260627T130000
DTEND;TZID=America/New_York:20260627T140000
DTSTAMP:20260602T090140
CREATED:20260504T134310Z
LAST-MODIFIED:20260504T134310Z
UID:10034535-1782565200-1782568800@gridphilly.com
SUMMARY:Exhibition Tours: A Nation of Artists
DESCRIPTION:The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents\, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. \nOrganized in conjunction with America’s 250th anniversary\, A Nation of Artists examines how artistic production in the United States has been shaped by creativity\, exchange\, expansion\, conflict\, and innovation. At PAFA\, works made from the late 18th century to today will be arranged thematically to explore scenes of westward expansion\, the rise of industry\, and international exchange. \nInstalled throughout PAFA’s recently restored Historic Landmark Building\, the exhibition will chart America’s history from 1700 to the present day thorough more than 1\,000 paintings\, photographs\, sculptures\, decorative arts\, and more. Across PAFA and the Philadelphia Museum of Art\, more than 120 rarely seen works from the Middleton Family Collection—one of the nation’s most significant private holdings of American art—will be on public view for the first time. \nTickets Include: \nAll day museum admission\n20% off food & drinks at the Aloft Hotel across the street\n15% off at the PAFA Museum Store
URL:https://gridphilly.com/event/exhibition-tours-a-nation-of-artists-2/2026-06-27/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/05/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260628T090000
DTEND;TZID=America/New_York:20260629T160000
DTSTAMP:20260602T090140
CREATED:20260504T123953Z
LAST-MODIFIED:20260504T123953Z
UID:10034594-1782637200-1782748800@gridphilly.com
SUMMARY:The Figure in Clay Workshop with Colleen O'Donnell
DESCRIPTION:Learn the techniques and tools of figure sculpture through demonstration and hands-on sculpting from the model. Explore anatomy\, proportion\, gesture\, and design through the versatility of clay. Personal expression will be emphasized though representational and abstract approaches. \nOpen to all levels and perfect for beginners. \nNote: Tuition includes a $35 models fee. \nWeekend Workshop \nInstructor: Colleen O’Donnell \nDate & Time: June 27 & June 28\, Saturday & Sunday\, 9 AM – 4 PM \nPAFA members at the Dual Plus or Friend level and above receive 10% off. Discount applies to CE regular adult Summer Session 1 and 2 classes and workshops only. Spring 2026 courses\, Summer Studio-Critique/studio rental programs\, gift certificates\, membership purchases\, and lockers are ineligible. \nFeatured Artwork by James Toogood \nHappens on the following Dates:\nJun 27\, 2026\, 9:00am to 4:00pm Timezone: Eastern Time (US & Canada)\nJun 28\, 2026\, 9:00am to 4:00pm Timezone: Eastern Time (US & Canada)
URL:https://gridphilly.com/event/the-figure-in-clay-workshop-with-colleen-odonnell/2026-06-28/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/05/The-Figure-in-Clay.png
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260628T100000
DTEND;TZID=America/New_York:20260628T170000
DTSTAMP:20260602T090140
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031214-1782640800-1782666000@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-06-28/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260628T100000
DTEND;TZID=America/New_York:20260628T170000
DTSTAMP:20260602T090140
CREATED:20260519T141431Z
LAST-MODIFIED:20260519T141431Z
UID:10035500-1782640800-1782666000@gridphilly.com
SUMMARY:CSFP Student Art Showcase
DESCRIPTION:In June 2026\, Children’s Scholarship Fund Philadelphia (CSFP) will present a Student Art Showcase featuring works created by CSFP students from across Philadelphia. \nThe showcase will highlight student perspectives while celebrating two major milestones: America’s 250th anniversary and CSFP’s 25 years of impact. Join us at the Pennsylvania Academy of Fine Arts to witness Philadelphia through the eyes of CSFP’s students with a tribute to history\, perseverance\, and the endless possibility of our Philadelphia scholars. \nA two-week pop-up installation at PAFA\, on view from June 28 through July 14\, will feature student artwork from across Philadelphia\, centering student voices and highlighting the power of educational access during Philadelphia’s Semiquincentennial.
URL:https://gridphilly.com/event/csfp-student-art-showcase/2026-06-28/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
CATEGORIES:History
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/05/1.png
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260629T100000
DTEND;TZID=America/New_York:20260629T170000
DTSTAMP:20260602T090140
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031215-1782727200-1782752400@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-06-29/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260629T100000
DTEND;TZID=America/New_York:20260629T170000
DTSTAMP:20260602T090140
CREATED:20260519T141431Z
LAST-MODIFIED:20260519T141431Z
UID:10035501-1782727200-1782752400@gridphilly.com
SUMMARY:CSFP Student Art Showcase
DESCRIPTION:In June 2026\, Children’s Scholarship Fund Philadelphia (CSFP) will present a Student Art Showcase featuring works created by CSFP students from across Philadelphia. \nThe showcase will highlight student perspectives while celebrating two major milestones: America’s 250th anniversary and CSFP’s 25 years of impact. Join us at the Pennsylvania Academy of Fine Arts to witness Philadelphia through the eyes of CSFP’s students with a tribute to history\, perseverance\, and the endless possibility of our Philadelphia scholars. \nA two-week pop-up installation at PAFA\, on view from June 28 through July 14\, will feature student artwork from across Philadelphia\, centering student voices and highlighting the power of educational access during Philadelphia’s Semiquincentennial.
URL:https://gridphilly.com/event/csfp-student-art-showcase/2026-06-29/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
CATEGORIES:History
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/05/1.png
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
END:VCALENDAR