Pennsylvania Academy of the Fine Arts

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. Organized in conjunction with America's 250th anniversary, A Nation of Artists examines how artistic production in the United States has been shaped by creativity, exchange, expansion, conflict, and innovation. At PAFA, works made from the late 18th century to today

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. Organized in conjunction with America's 250th anniversary, A Nation of Artists examines how artistic production in the United States has been shaped by creativity, exchange, expansion, conflict, and innovation. At PAFA, works made from the late 18th century to today

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. Organized in conjunction with America's 250th anniversary, A Nation of Artists examines how artistic production in the United States has been shaped by creativity, exchange, expansion, conflict, and innovation. At PAFA, works made from the late 18th century to today

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.” —Luis Cruz Azaceta Bodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human

The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. Organized in conjunction with America's 250th anniversary, A Nation of Artists examines how artistic production in the United States has been shaped by creativity, exchange, expansion, conflict, and innovation. At PAFA, works made from the late 18th century to today