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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260429T170000
DTEND;TZID=America/New_York:20260429T183000
DTSTAMP:20260313T010540Z
CREATED:20260313T005951Z
LAST-MODIFIED:20260313T010540Z
UID:10030111-1777482000-1777487400@gridphilly.com
SUMMARY:After Rumi: Book Talk
DESCRIPTION:After Rumi: The Mevlevis and Their World by Jamal J. Elias is the first major book since the mid-20th century to focus on Rumi’s religious\, social and literary legacy. In this book talk\, the author will briefly introduce important aspects of Rumi’s impact on Sufism\, language and society in Turkey and beyond. The talk will be followed by a discussion with Ahmet T. Karamustafa\, one of the world’s foremost experts on the history of medieval Sufism.
URL:https://gridphilly.com/event/after-rumi-book-talk/
LOCATION:University of Pennsylvania\, College Green\, Philadelphia\, PA\, 19104\, United States
CATEGORIES:Education/Lecture
ATTACH;FMTTYPE=image/avif:https://gridphilly.com/wp-content/uploads/2026/03/AfterRumi.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260327T090000
DTEND;TZID=America/New_York:20260327T170000
DTSTAMP:20260304T220551Z
CREATED:20260304T220551Z
LAST-MODIFIED:20260304T220551Z
UID:10029975-1774602000-1774630800@gridphilly.com
SUMMARY:Unlocking the Truth: Undergraduate Humanities Forum Research Conference
DESCRIPTION:Each year the Wolf Humanities Center’s Undergraduate Humanities Forum brings together undergraduate students from across the humanities and beyond to explore a common theme. Join us on March 27th as the Wolf Humanities Center’s 2025–2026 Undergraduate Research Fellows present their research on “Truth.”
URL:https://gridphilly.com/event/unlocking-the-truth-undergraduate-humanities-forum-research-conference/
LOCATION:University of Pennsylvania\, College Green\, Philadelphia\, PA\, 19104\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/03/Unlocking-the-Truth-ART.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260227T092000
DTEND;TZID=America/New_York:20260227T171500
DTSTAMP:20260218T232007Z
CREATED:20260218T231636Z
LAST-MODIFIED:20260218T232007Z
UID:10029067-1772184000-1772212500@gridphilly.com
SUMMARY:Truth in Crisis
DESCRIPTION:An interdisciplinary symposium that engages experts in an exploration of truth(s) contested or revealed in crises.\n\n\nIn conjunction with the Wolf Humanities Center’s 2025–2026 Forum on Truth\, this interdisciplinary symposium engages experts in an exploration of truth(s) contested or revealed in crises across panels on (1) Institutions of Learning\, (2) Land and its Technologies\, and (3) Borders. In the framing\, we take our cue from Sara Ahmed (2010)\, who understands crisis\, perceived and described\, as constructed; a crisis necessitates the identification and defense of shared norms and values\, a world and its inhabitants\, against that which threatens. The articulation of crisis thus reveals and contests truth(s) that are\, by presentation\, matters of survival. Held at the University of Pennsylvania’s Kislak Center for Special Collections\, Rare Books and Manuscripts\, this one-day symposium will begin with a highly anticipated keynote featuring Dr. Althea Wasow from University of California\, Santa Barbara. The day’s discussions will bring together scholars from various disciplines to expand upon questions of crisis\, its meanings and manifestations in the modern and contemporary world\, and the role of truth in surviving. \nFor more info\, visit https://wolfhumanities.upenn.edu/events/truth-crisis \nSymposium Agenda \n8:30 am–9:20 amBreakfast \n9:20 am–9:30 amWelcome Remarks \n\nAyako Kano\, Director\, Wolf Humanities Center; Professor\, Department of East Asian Languages & Civilizations\, University of Pennsylvania\nJulia Verkholantsev\, Topic Director\, Forum on Truth\, Wolf Humanities Center; Associate Professor of Russian and East European Studies\, University of Pennsylvania\n\n9:30 am–10:45 amKeynoteModerated by Jennifer Sierra\, Andrew W. Mellon Postdoctoral Fellow\, Wolf Humanities Center \n\nAlthea Wasow\, Assistant Professor\, Department of Film and Media Studies\, University of California\, Santa Barbara\n\n11:00 am–12:30 pmInstitutions of LearningModerator: Chris Halsted\, Andrew W. Mellon Postdoctoral Fellow\, Wolf Humanities Center \n\nJulia Alekseyeva\, Assistant Professor\, Department of English and Cinema and Media Studies\, University of Pennsylvania\nEmily Ng\, Assistant Professor\, Department of Anthropology\, University of PennsylvaniaPlease note this presentation will not be streamed\nEge Yumusak\, Assistant Professor\, Department of Philosophy\, University of Pennsylvania\n\n1:45 pm–3:15 pmLand and its TechnologiesModerator: Delbar Khakzad\, Andrew W. Mellon Postdoctoral Fellow\, Wolf Humanities Center \n\nNikhil Anand\, Daniel Braun Silvers and Robert Peter Silvers Family Presidential Professor of Anthropology\, University of PennsylvaniaPlease note this presentation will not be streamed\nSamuel Driver\, Visiting Assistant Professor of Russian\, Dickinson College\nM. Susan Lindee\, Janice and Julian Bers Professor of the History and Sociology of Science\, University of Pennsylvania\n\n3:30 pm–5:00 pmBordersModerator: Spencer Small\, Andrew W. Mellon Postdoctoral Fellow\, Wolf Humanities Center \n\nAlex Brostoff\, Assistant Professor\, Department of English and Women’s and Gender Studies\, Georgetown University\nHardeep Dhillon\, Assistant Professor\, Department of History\, University of PennsylvaniaPlease note this presentation will not be streamed\nMina Magda\, Assistant Professor\, Department of Social and Cultural Analysis\, New York UniversityPlease note this presentation will not be streamed\n\n5:00 pm–5:15 pmClosing Remarks \n\nCaitlin Adkins\, Research Associate\, Wolf Humanities Center; Ph.D. Candidate\, Department of East Asian Civilizations and Languages\, University of Pennsylvania\n\n5:15 pmReception
URL:https://gridphilly.com/event/truth-in-crisis/
LOCATION:Kislak Center for Special Collections\, Rare Books and Manuscripts\, 3420 Walnut Street\, Philadelphia\, PA\, 19104\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/02/f4e83a088568dc99a5a742b37232df8b.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260211T173000
DTEND;TZID=America/New_York:20260211T190000
DTSTAMP:20260123T152129Z
CREATED:20260123T152129Z
LAST-MODIFIED:20260123T152129Z
UID:10028521-1770831000-1770836400@gridphilly.com
SUMMARY:The Truth about Sign Language Acquisition
DESCRIPTION:The natural sign languages used in deaf communities are rich and structured\, in the same way that languages around the world are. Even still\, there are many misconceptions about whether or not it is appropriate for hearing parents of deaf children to sign with them. This presentation will show what it looks like for a child to become a bimodal bilingual\, using two languages in two modalities (speech and sign)\, and how hearing parents can be part of this journey.
URL:https://gridphilly.com/event/the-truth-about-sign-language-acquisition/
LOCATION:University of Pennsylvania\, College Green\, Philadelphia\, PA\, 19104\, United States
CATEGORIES:Education/Lecture
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251112T173000
DTEND;TZID=America/New_York:20251112T200000
DTSTAMP:20251110T015450Z
CREATED:20251110T015450Z
LAST-MODIFIED:20251110T015450Z
UID:10024301-1762968600-1762977600@gridphilly.com
SUMMARY:The Woman's Film; Inside Women Inside
DESCRIPTION:Screening two classic feminist documentaries produced at bookends of the 1970s\n\n\nThe Woman’s Film: Dir. Jennifer Gauthier\, 1971\, 40 min. \nInside Women Inside: Dir. Christine Choy and Cynthia Maurizio\, 1978\, 21 min. \nAs a mode of action and as a way of thinking\, feminism constantly interrogates truth. Whose actions\, language\, and experience constitute truth? How would/could a feminist truth be gathered\, recorded\, presented\, and claimed? These questions erupt in two classic feminist documentaries produced at bookends of the 1970s: The Woman’s Film (1971) and Inside Women Inside (1978). Screened together\, we hope these films will facilitate a conversation about the relationship between feminism\, activism\, documentary practice\, and truth. \nFollowed by a conversation with Shilyh Warren\, Associate Professor of Visual and Performing Arts & Film Studies\, University of Texas\, and Asher Guthertz\, Ph.D Student\, Cinema & Media Studies\, University of Pennsylvania \nA program of the Wolf Humanities Center’s Forum on Truth\, the Perspectives film series is presented in collaboration with Penn’s Department of Cinema & Media Studies and Public Trust. \nFor more information visit https://wolfhumanities.upenn.edu/events/womans-film-inside-women-inside
URL:https://gridphilly.com/event/the-womans-film-inside-women-inside/
LOCATION:Public Trust\, 4017 Walnut Street\, Philadelphia\, PA\, 19104\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2025/11/607142fb69bcde5f57431de513b8b13c.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251029T173000
DTEND;TZID=America/New_York:20251029T200000
DTSTAMP:20251023T151033Z
CREATED:20251023T151033Z
LAST-MODIFIED:20251023T151033Z
UID:10023662-1761759000-1761768000@gridphilly.com
SUMMARY:A Hero
DESCRIPTION:Screening followed by a conversation with Penn’s Meta Mazaj (Cinema & Media Studies) & Mahyar Entezari (Middle Eastern Languages & Cultures)\n\n\nDir. Asghar Farhadi\, 2021\, 127 min. \nA Hero is a 2021 film by a master of Iranian cinema\, two-time Oscar winner\, Asghar Farhadi. It tells a deceptively simple tale of a man on a two-day leave from a debtors’ prison\, who chances upon a pile of gold coins. Should he return the money to its owner\, or use it to pay off some of his debt? An ordinary predicament and simple moral judgement\, once confronted with complex layers of circumstances and perspectives\, results in a narrative of epic proportions and multifaceted truth. Simple dilemmas give rise to difficult philosophical questions: What is the difference between doing good and not doing bad? Between lying and not telling the truth? The truth and a truth? \nScreening followed by a conversation with Meta Mazaj\, Senior Lecturer of Cinema & Media Studies\, University of Pennsylvania\, and Mahyar Entezari\, Lecturer and Director\, Persian Language Program\, University of Pennsylvania. \nA program of the Wolf Humanities Center’s Forum on Truth\, the Perspectives film series is presented in collaboration with Penn’s Department of Cinema & Media Studies and Public Trust.  \nFor more information visit https://wolfhumanities.upenn.edu/events/a-hero.
URL:https://gridphilly.com/event/a-hero/
LOCATION:Public Trust\, 4017 Walnut Street\, Philadelphia\, PA\, 19104\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2025/10/ea8d393b980c5b570ab90f36a9c0eb31.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251022T173000
DTEND;TZID=America/New_York:20251022T190000
DTSTAMP:20251021T170039Z
CREATED:20251021T170039Z
LAST-MODIFIED:20251021T170039Z
UID:10023091-1761154200-1761159600@gridphilly.com
SUMMARY:Truth and the Novel\, author Geraldine Brooks
DESCRIPTION:Fiction is the lie through which we tell the truth\, said Albert Camus. Pulitzer Prize-winning author Geraldine Brooks spent half her life as a journalist\, running after the truth in difficult places where despots and warlords were desperate to obfuscate. Later she turned to fiction\, but her novels always hew as closely as possible to historical truth. In the Wolf Humanities Center’s 2025 Dr. S.T. Lee Distinguished Lecture in the Humanities\, Brooks will discuss her process as a novelist and how it is informed by the toolkit she acquired as a foreign correspondent covering conflicts in the Middle East\, Africa\, and the Balkans. \nA book signing will follow the lecture and Q&A.\n——\nAustralian-born Geraldine Brooks is a Pulitzer Prize-winning author and journalist renowned for her deeply immersive\, character-driven historical novels. Her fiction debut\, Year of Wonders: A Novel of the Plague\, became an international bestseller\, translated into more than 25 languages. In 2006\, Brooks won the Pulitzer Prize for Fiction for her second novel\, March. Her other bestsellers include People of the Book\, Caleb’s Crossing\, The Secret Chord\, and Horse. In addition to fiction\, Brooks has authored acclaimed nonfiction books\, including Nine Parts of Desire: The Hidden World of Islamic Women\, Foreign Correspondence: A Penpal’s Journey from Down Under to All Over\, and The Idea of Home. Her latest book\, Memorial Days\, was published in 2025.
URL:https://gridphilly.com/event/truth-and-the-novel-author-geraldine-brooks/
LOCATION:Penn Museum\, 3260 South Street\, Philadelphia\, PA\, 19104\, United States
CATEGORIES:Arts & Culture,Education/Lecture,Family Activities,family and kid friendly,Free,Lecture,Programs for Children,Special Event,Webinar
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2025/10/Brooks-Poster-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251003T173000
DTEND;TZID=America/New_York:20251003T190000
DTSTAMP:20250929T140252Z
CREATED:20250929T140252Z
LAST-MODIFIED:20250929T140252Z
UID:10022429-1759512600-1759518000@gridphilly.com
SUMMARY:Tree of Violence
DESCRIPTION:Screening to be followed by a conversation with artist Victoria Lomasko and Julia Alekseyeva\n\n\nDir. Anna Moiseenko\, 2024\, 52 min. \nTree of Violence is a documentary combining animation and live-action footage to capture the extraordinary artistry of Victoria Lomasko\, an artist known for depicting figures of ordinary Russians not often found in mainstream media. We see her standing still amidst public protests against the regime\, carefully sketching the outlines of individuals which later appear in large-scale paintings and murals. The film chronicles Lomasko’s life just before the 2022 invasion of Ukraine\, when she had to leave Russia in order to protect herself and her artistic integrity. Overlaying historical and personal memory\, state violence and familial violence\, the film shows to what extent one artist\, with a single pen on paper\, can engage in truth-telling at moments of tremendous political tension. \nScreening followed by a conversation artist Victoria Lomasko\, and Julia Alekseyeva\, Assistant Professor of English and Cinema & Media Studies at the University of Pennsylvania. \nA program of the Wolf Humanities Center’s Forum on Truth\, the Perspectives film series is presented in collaboration with Penn’s Department of Cinema & Media Studies and Public Trust. \nMore information: https://wolfhumanities.upenn.edu/events/tree-violence
URL:https://gridphilly.com/event/tree-of-violence/
LOCATION:Public Trust\, 4017 Walnut Street\, Philadelphia\, PA\, 19104\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2025/09/b26f427b1fe151fda5ae53c3bf803a77.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250409T173000
DTEND;TZID=America/New_York:20250409T190000
DTSTAMP:20250407T133014Z
CREATED:20250407T133014Z
LAST-MODIFIED:20250407T133014Z
UID:10018136-1744219800-1744225200@gridphilly.com
SUMMARY:“It’s Your Curse\,” and Other Lessons in Repairing Historical Harm
DESCRIPTION:Anthropologist Deirdre de la Cruz on the efforts to develop and enact reparative approaches to her institutions’s Philippines collections.\n\n\nWolf Humanities Center • University of Pennsylvania \n2024–2025 FORUM ON KEYWORDS \n“It’s Your Curse\,” and Other Lessons in Repairing Historical Harm\nDeirdre de la CruzAssociate Professor of History and Asian Languages and Cultures\, University of Michigan \nThe University of Michigan possesses extensive archival\, photographic\, archaeological and natural history collections from the Philippines\, many of which were built during the American colonial period from objects\, images\, and ancestors taken without the consent of local source communities. In this talk\, historical anthropologist Deirdre de la Cruz introduces a multi-year\, collaborative effort by Michigan faculty\, curators\, collection managers\, students\, and community partners to develop and enact reparative approaches to these collections. Professor de la Cruz reflects on how the historical and contemporary specificities of the Philippines and its diaspora both contribute to and complicate on-going conversations around museums and historical justice\, including its associated lexicon of keywords like repatriation\, affiliation\, reciprocity\, and even\, refusal. \nCosponsored by Penn’s Department of Anthropology\, Department of History\, Department of South Asia Studies\, Center for East Asian Studies\, South East Asia Working Group\, and the Penn Museum. \n––––––––––––––––––––––––––––– \nDeirdre de la Cruz is a historian and anthropologist whose work examines global formations and global relations from the historical and cultural vantage point of the Philippines. Her first and second books (Mother Figured: Marian Apparitions and the Making of a Filipino Universal  and God’s Magicians: Philippine Centers of the Global Occult ) trace the discursive\, material and performative processes through which the Philippine emerges as a major spiritual and religious center over the long twentieth century. For the last several years\, de la Cruz has also served as co-PI of ReConnect/ReCollect: Reparative Connections to Philippine Collections at the University of Michigan\, a collaborative work of public scholarship that seeks to repair historical harm by creating models for more ethical and equitable Philippine colonial collections by introducing Filipino and Indigenous agency to their stewardship. De la Cruz is Associate Professor of History and Asian Languages and Cultures at the University of Michigan\, and currently serves as Director of the Doctoral Program in Anthropology and History. \nMore information: https://wolfhumanities.upenn.edu/delacruz \n–––––––––––––––––––––––––––––This event is free and open to the public. Registration is required. \nPhoto by Jeffrey Smith\, courtesy of the University of Michigan Special Collections Research Center. \nThe Wolf Humanities Center values inclusivity and we aim to create a welcoming environment for people of all backgrounds. Please feel free to note any accessibility needs or concerns in your registration\, or connect with us by email or phone (215.573.8280).
URL:https://gridphilly.com/event/its-your-curse-and-other-lessons-in-repairing-historical-harm/
LOCATION:Penn Museum\, 3260 South Street\, Philadelphia\, PA\, 19104\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2025/04/04bfd44ccf8b4d40e053f0b4d7ee4d98.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250129T173000
DTEND;TZID=America/New_York:20250129T190000
DTSTAMP:20250113T191737Z
CREATED:20250113T191737Z
LAST-MODIFIED:20250113T191737Z
UID:10016712-1738171800-1738177200@gridphilly.com
SUMMARY:The Beauty of Choice
DESCRIPTION:Renowned cultural critic Wendy Steiner offers a dazzling new account of aesthetics grounded in female agency\n\n\nIn The Beauty of Choice\, the renowned cultural critic Wendy Steiner offers a dazzling new account of aesthetics grounded in female agency. Through a series of linked meditations on canonical and contemporary literature and art\, she casts women’s taste as the engine of liberal values. \nSteiner reframes long-standing questions surrounding desire\, art\, sexual assault\, and beauty in light of #MeToo. Beginning with an opera she wrote based on Chaucer’s “The Wife of Bath’s Tale\,” she presents women’s sexual choices as fundamentally aesthetic in nature—expressions of their taste—and artworks as stagings of choice in courtship\, coquetry\, consent\, marriage\, and liberation. A merger of art criticism\, evolutionary theory\, political history\, and aesthetics\, this book paints the struggle between female autonomy and patriarchal violence and extremism as the essence of art. \nFollowing a reading from The Beauty of Choice\, Steiner will sit down with Heather Love\, Penn Professor of English\, to discuss the ways in which taste\, beauty\, and pleasure intersect in defense of women’s freedom. \nA book signing and reception will follow. \nCosponsored by Kelly Writers House and the Department of English. \n––––––––––––––––––––––––––––– \nWendy Steiner is the Richard L. Fisher Professor Emerita of English at the University of Pennsylvania\, past Chair of the Penn English Department\, and Founding Director of the Penn Humanities Forum (now\, the Wolf Humanities Center). Her most recent books are The Beauty of Choice: On Women\, Art\, and Freedom (2024); The Real RealThing: The Model in the Mirror of Art (2010); Venus in Exile: The Rejection of Beauty in Twentieth-Century Art (2001); and The Scandal of Pleasure: Art in an Age of Fundamentalism (listed in the “NY Times 100 Best Books of 1996”). Steiner’s cultural criticism has appeared widely\, and she is a Fellow of the Guggenheim Foundation\, NEH\, ACLS\, and Royal Society of Canada. \nSteiner’s six opera libretti have been composed by Paul Richards\, Frances White\, and Mark Rimple. The latest\, using both her text and her photography\, premiered in New York in 2024\, Upon Reflection: An Opera in Ten Images\, starring soprano Sherezade Panthaki and the musicians of Parthenia. Steiner has presented multimedia installations in the 2019 and 2022 Venice Biennales. \nHeather Love\, a Professor in Penn’s English Department\, is the author of Feeling Backward: Loss and the Politics of Queer History (Harvard University Press) and Underdogs: Social Deviance and Queer Theory (University of Chicago Press). She is the editor of a special issue of GLQ on Gayle Rubin (“Rethinking Sex”) and the co-editor (with Stephen Best and Sharon Marcus) of a special issue of Representations (“Description Across Disciplines”). In 2023\, she published Literary Studies and Human Flourishing\, co-edited with James F. English (Oxford University Press). Love has written on topics including comparative social stigma\, compulsory happiness\, transgender fiction\, spinster aesthetics\, and reading methods in literary studies. She is currently working on a new project (“To Be Real\,”) concerning the uses of the personal in queer writing. \nMore information: https://wolfhumanities.upenn.edu/events/steiner \n–––––––––––––––––––––––––––––This event is free and open to the public. Registration is required. \nThe Wolf Humanities Center values inclusivity and we aim to create a welcoming environment for people of all backgrounds. Please feel free to note any accessibility needs or concerns in your registration\, or connect with us by email or phone (215.573.8280).
URL:https://gridphilly.com/event/the-beauty-of-choice/
LOCATION:Kelly Writers House\, 3805 Locust Walk\, Philadelphia\, PA\, 19104\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2025/01/7a42f20e0d7309d61f0d4cd0222c40b3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250124T110000
DTEND;TZID=America/New_York:20250124T150000
DTSTAMP:20241227T160758Z
CREATED:20241227T160758Z
LAST-MODIFIED:20241227T160758Z
UID:10016164-1737716400-1737730800@gridphilly.com
SUMMARY:Word\, Ink\, Gold\, and Paper: An Exploration of the Art of Illumination
DESCRIPTION:Illumination artist Behnaz Karjoo explores Islamic illumination – or tazhib – in a brief lecture followed by a participatory workshop.\n\n\nWolf Humanities Center • University of Pennsylvania \n2024–2025 FORUM ON KEYWORDS \nWord\, Ink\, Gold\, and Paper\nAn Exploration of the Art of Illumination\nIllumination artist Behnaz Karjoo will explore the evolution of Islamic illumination\, or tazhib\, and its role in manuscript decoration\, providing an overview of the traditional tools and materials involved. Visual images of illuminated manuscripts\, along with the tools and materials\, will illustrate the techniques involved in tazhib\, highlighting the precision and artistry. \nFollowing her lecture\, Karjoo will host a hands-on workshop\, inviting participants to delve into the basic techniques of Islamic illumination and to learn how to paint and outline with fine brushes. Using imitation gold and gouache\, they will paint a small design and bring it to life through traditional methods. By closely engaging with the artistry of tazhib in this session\, participants will deepen their understanding and appreciation of this intricate art. Space is limited for the workshop\, register early! \nPresented in collaboration with Penn’s Forum for Global Islamic Studies. Cosponsored by the Kislak Center for Special Collections\, Rare Books and Manuscripts and the Ibn Sina Fund. \nMore information: https://wolfhumanities.upenn.edu/events/karjoo \n––––––Before and after Behnaz Karjoo’s lecture and workshop\, view illuminated manuscripts from Kislak Center for Special Collections\, Rare Books and Manuscripts on display in the Lea Library!11:00–11:45am: Lecture1:00–3:00pm: Workshop (space is limited)–––––– \nBorn in Tehran\, Iran\, Behnaz Karjoo moved to the United States at a young age\, where she developed an interest in art. Her creative pursuits took a serious turn later in her life\, when she started to study jewelry design and photography at the Fashion Institute of Technology. Inspired by her early memories of Iranian mosque architecture\, illumination\, and calligraphy\, she soon pursued training in the classical Islamic arts. Under the mentorship of Mujgan Baskoylu\, a distinguished master in Turkish illumination\, miniature painting\, and paper cutting\, Behnaz began her study of illumination (tazhib) in 2011. Her dedication led her works to be exhibited worldwide\, and in 2016\, she earned her ijazet\, a certificate of mastery in illumination. Expanding her artistic repertoire\, Behnaz pursued the study of miniature painting in 2019\, followed by an exploration of square kufic calligraphy in 2021. These continuous pursuits exemplify her commitment to enriching her knowledge and skill set within the realm of Islamic arts. Behnaz is an active participant in the New York Islamic Arts collective\, founded by Baskoylu\, which is dedicated to preserving and promoting classical Islamic arts in the United States. In her artistic pursuits\, Behnaz holds the belief that while classical arts\, including illumination\, have a timeless foundation\, their potential for evolution and growth is boundless. She continually strives to present these art forms in innovative ways\, embracing experimentation with diverse materials\, colors\, compositions\, and designs. \n––––––––––––––––––––––––––––– \nThis event is free and open to the public. Registration is required for both the lecture and the workshop. Space is limited for the workshop\, register early! \nThe Wolf Humanities Center values inclusivity and we aim to create a welcoming environment for people of all backgrounds. Please feel free to note any accessibility needs or concerns in your registration\, or connect with us by email (wolfhumanities@upenn.edu) or phone (215.573.8280).
URL:https://gridphilly.com/event/word-ink-gold-and-paper-an-exploration-of-the-art-of-illumination/
LOCATION:Kislak Center for Special Collections\, Rare Books and Manuscripts\, Van Pelt Library\, 3420 Walnut St\, 6th Floor\, Philadelphia\, PA\, 19104\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2024/12/88057f91f233b1c4180245017fc0628d.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241113T173000
DTEND;TZID=America/New_York:20241113T190000
DTSTAMP:20241105T171243Z
CREATED:20241105T171243Z
LAST-MODIFIED:20241105T171243Z
UID:10015552-1731519000-1731524400@gridphilly.com
SUMMARY:The Paradox of Hunger Strikes
DESCRIPTION:Historian Nayan Shah explores the visceral ways that hunger strikes communicate through media and political movements.\n\n\nWolf Humanities Center • University of Pennsylvania \n2024–2025 FORUM ON KEYWORDS \nThe Paradox of Hunger Strikes\nThe talk considers the keyword “hunger strike” and the historical\, social\, and political conditions that motivate the rise and transformations of this puzzling and persistent bodily defiance in the 20th and 21st centuries. Investigating contexts from South Africa\, India\, Ireland\, the United States\, and Iran\, historian Nayan Shah explores the visceral ways that hunger striking communicates through media and political movements\, and how it can turn a personal agony into a call for collective action. \nCosponsored by The Andrea Mitchell Center for the Study of Democracy\, the Center for Advanced Research in Global Communication (CARGC)\, and the Department of History. \nNayan Shah is a historian whose books uncover how people struggle with incarceration\, migration\, and illness in the United States and across the globe. His latest book\, Refusal to Eat: A Century of Prison Hunger Strikes (University of California Press\, 2022)\, is the first global history of hunger strikes as a tactic in prisons\, conflicts\, and protest movements. He also wrote Contagious Divides: Epidemics and Race in San Francisco’s Chinatown (2001) and Stranger Intimacy: Contesting Race\, Sexuality and the Law in the North American West (2001). Shah is Professor of American Studies & Ethnicity and History at the University of Southern California in Los Angeles. This year he is L.A. Times‘ Distinguished Fellow at the Huntington Library and Research Center. \nMore information: https://wolfhumanities.upenn.edu/events/shah \n––––––––––––––––––––––––––––– \nThis event is free and open to the public. Registration is required. \nThe Wolf Humanities Center values inclusivity and we aim to create a welcoming environment for people of all backgrounds. Please feel free to note any accessibility needs or concerns in your registration\, or connect with us by email or phone (215.573.8280).
URL:https://gridphilly.com/event/the-paradox-of-hunger-strikes/
LOCATION:Kislak Center for Special Collections\, Rare Books and Manuscripts\, Van Pelt Library\, 3420 Walnut St\, 6th Floor\, Philadelphia\, PA\, 19104\, United States
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DTSTART;TZID=America/New_York:20240918T180000
DTEND;TZID=America/New_York:20240918T193000
DTSTAMP:20240909T144606Z
CREATED:20240909T141444Z
LAST-MODIFIED:20240909T144606Z
UID:10014509-1726682400-1726687800@gridphilly.com
SUMMARY:Concrete
DESCRIPTION:Professor Anna Tsing launches the Wolf Humanities Center’s 2024-2025 Forum on Keywords with a talk exploring the “concreteness of concrete.”\n\n\nWolf Humanities Center • University of Pennsylvania \n2024–2025 FORUM ON KEYWORDS \nDR. S.T. LEE DISTINGUISHED LECTURE IN THE HUMANITIES \nConcrete\nConcrete is a material—and an adjective pointing to the physical existence of things. To be concrete is to have form in the material world. In this talk\, renowned anthropologist Anna Tsing considers the material form of concrete as a building material\, that is\, the concreteness of concrete. Concrete repels water\, and in the city of Sorong\, Indonesia\, where her current research has taken her\, it calls forth floods\, distributing mud. The concreteness of concrete is foundational to our current condition\, stuck in the infrastructural lock-in of this dangerous time\, the Anthropocene. \nCosponsored by Penn’s Department of Anthropology and EnviroLab. \nAnna Tsing teaches anthropology at the University of California\, Santa Cruz\, and at Aarhus University\, Denmark. Her most recent book (with Jennifer Deger\, Alder Keleman Saxena\, and Feifei Zhou) is Field Guide to the Patchy Anthropocene: The New Nature (Stanford University Press\, 2024). This same team curated the mammoth digital project Feral Atlas: The More-than-Human Anthropocene (www.feralatlas.org). Tsing is co-director of the Center for Southeast Asian Coastal Interactions (SEACoast) at UC Santa Cruz; she leads the center project\, “Fragmented Porosity\,” which considers changing histories\, livelihoods\, and ecologies of the land-water interface. \nMore information: https://wolfhumanities.upenn.edu/events/tsing \n––––––––––––––––––––––––––––– \nThis event is free and open to the public. Registration is required. \nThe Wolf Humanities Center values inclusivity and we aim to create a welcoming environment for people of all backgrounds. Please feel free to note any accessibility needs or concerns in your registration\, or connect with us by email or phone (215.573.8280).
URL:https://gridphilly.com/event/concrete/
LOCATION:Widener Auditorium\, Penn Museum\, 3260 South Street\, Philadelphia\, PA\, 19104\, United States
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