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DTSTART;TZID=America/New_York:20270321T120000
DTEND;TZID=America/New_York:20270321T170000
DTSTAMP:20260515T111909
CREATED:20260428T182613Z
LAST-MODIFIED:20260511T205034Z
UID:10035172-1805630400-1805648400@gridphilly.com
SUMMARY:Jesse Krimes: Elegy Quilts
DESCRIPTION:This new exhibition at The Fabric Workshop and Museum features selections from Jesse Krimes’s “Elegy Quilt” series (2020–present)\, a body of work that renders the personal effects of the U.S. carceral system through portraits of domestic spaces. Using donated textiles and American quilting traditions\, Krimes creates intricately patterned quilts that meditate on memory\, loss\, alienation\, comfort\, and resilience.
URL:https://gridphilly.com/event/jesse-krimes-elegy-quilts/2027-03-21/
LOCATION:The Fabric Workshop and Museum\, 1214 Arch Street\, Philadelphia\, PA\, 19107\, United States
CATEGORIES:Art Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/01_MGL_JKrimes_111220_136-1200-x-628.jpg
ORGANIZER;CN="The Fabric Workshop and Museum":MAILTO:kristina@fabricworkshopandmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270322T070000
DTEND;TZID=America/New_York:20270322T080000
DTSTAMP:20260515T111909
CREATED:20251226T200807Z
LAST-MODIFIED:20260104T231748Z
UID:10028017-1805698800-1805702400@gridphilly.com
SUMMARY:Morning Wellness Walks at Awbury
DESCRIPTION:Awbury’s 56-acre landscape tucked away in Germantown is a serene escape from the fast pace of the city of Philadelphia. Join us on our Wellness Walks and immerse yourself in nature as we take a moderately paced stroll through gardens\, woodlands\, roam around the farm\, and our ponds and meadows. \nJoin us Mondays & Thursdays from 7:00 am – 8:00 am at The Farm at Awbury for our Wellness Walks led by wellness coordinator Megan Do Nascimento! Questions? Contact our Wellness Walk coordinate Megan Do Nascimento at wellness@awbury.org.
URL:https://gridphilly.com/event/morning-wellness-walks-at-awbury/2027-03-22/
LOCATION:The Farm at Awbury Arboretum\, 6336 Ardleigh Street\, Philadelphia\, PA\, 19138\, United States
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2025/12/Screen-Shot-2025-12-26-at-3.07.23-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270322T100000
DTEND;TZID=America/New_York:20270322T170000
DTSTAMP:20260515T111909
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031405-1805709600-1805734800@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2027-03-22/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270322T100000
DTEND;TZID=America/New_York:20270322T170000
DTSTAMP:20260515T111909
CREATED:20260407T190822Z
LAST-MODIFIED:20260504T124311Z
UID:10031732-1805709600-1805734800@gridphilly.com
SUMMARY:Kati Gegenheimer: We've Only Just Begun
DESCRIPTION:Rooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. \nTo reinaugurate the newly renovated Morris Gallery\, PAFA presents Kati Gegenheimer: We’ve Only Just Begun\, an immersive monographic exhibition exploring love–familial\, romantic\, or brotherly–at this moment of profound social division. Anchored by a symbol-laden painted musical score of the titular line from the Carpenters’ 1970 song\, the exhibition presents works surveying how love is a necessary choice to be cultivated\, measured\, sustained\, or dismissed\, over time. \nRooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. Gegenheimer’s markmaking\, symbolism\, and vibrant use of color reclaim emblems of care and tenderness (hearts\, love notes\, hinges\, calendars\, keyholes\, to-do lists)\, and ponder how love is practiced over time rather than experienced in a singular instance. In an era driven by speed\, extraction\, and instant gratification\, the exhibition insists on return and continuity. \nGegenheimer’s paintings are devoted expressions of love\, luck\, and time\, drawing inspiration from art history\, architecture\, popular culture\, and craft. Her works embrace the decorative and diaristic\, each an altar to a fleeting moment. Reliant on color\, tempo\, and composition\, each of her paintings is a sign\, symbol\, and record all at once.
URL:https://gridphilly.com/event/kati-gegenheimer-weve-only-just-begun/2027-03-22/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-1.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270324T120000
DTEND;TZID=America/New_York:20270324T170000
DTSTAMP:20260515T111909
CREATED:20260428T182613Z
LAST-MODIFIED:20260511T205034Z
UID:10035173-1805889600-1805907600@gridphilly.com
SUMMARY:Jesse Krimes: Elegy Quilts
DESCRIPTION:This new exhibition at The Fabric Workshop and Museum features selections from Jesse Krimes’s “Elegy Quilt” series (2020–present)\, a body of work that renders the personal effects of the U.S. carceral system through portraits of domestic spaces. Using donated textiles and American quilting traditions\, Krimes creates intricately patterned quilts that meditate on memory\, loss\, alienation\, comfort\, and resilience.
URL:https://gridphilly.com/event/jesse-krimes-elegy-quilts/2027-03-24/
LOCATION:The Fabric Workshop and Museum\, 1214 Arch Street\, Philadelphia\, PA\, 19107\, United States
CATEGORIES:Art Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/01_MGL_JKrimes_111220_136-1200-x-628.jpg
ORGANIZER;CN="The Fabric Workshop and Museum":MAILTO:kristina@fabricworkshopandmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270325T100000
DTEND;TZID=America/New_York:20270325T170000
DTSTAMP:20260515T111909
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031406-1805968800-1805994000@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2027-03-25/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270325T100000
DTEND;TZID=America/New_York:20270325T170000
DTSTAMP:20260515T111909
CREATED:20260407T190822Z
LAST-MODIFIED:20260504T124311Z
UID:10031733-1805968800-1805994000@gridphilly.com
SUMMARY:Kati Gegenheimer: We've Only Just Begun
DESCRIPTION:Rooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. \nTo reinaugurate the newly renovated Morris Gallery\, PAFA presents Kati Gegenheimer: We’ve Only Just Begun\, an immersive monographic exhibition exploring love–familial\, romantic\, or brotherly–at this moment of profound social division. Anchored by a symbol-laden painted musical score of the titular line from the Carpenters’ 1970 song\, the exhibition presents works surveying how love is a necessary choice to be cultivated\, measured\, sustained\, or dismissed\, over time. \nRooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. Gegenheimer’s markmaking\, symbolism\, and vibrant use of color reclaim emblems of care and tenderness (hearts\, love notes\, hinges\, calendars\, keyholes\, to-do lists)\, and ponder how love is practiced over time rather than experienced in a singular instance. In an era driven by speed\, extraction\, and instant gratification\, the exhibition insists on return and continuity. \nGegenheimer’s paintings are devoted expressions of love\, luck\, and time\, drawing inspiration from art history\, architecture\, popular culture\, and craft. Her works embrace the decorative and diaristic\, each an altar to a fleeting moment. Reliant on color\, tempo\, and composition\, each of her paintings is a sign\, symbol\, and record all at once.
URL:https://gridphilly.com/event/kati-gegenheimer-weve-only-just-begun/2027-03-25/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-1.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270325T100000
DTEND;TZID=America/New_York:20270325T170000
DTSTAMP:20260515T111909
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10032025-1805968800-1805994000@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2027-03-25/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270325T120000
DTEND;TZID=America/New_York:20270325T160000
DTSTAMP:20260515T111909
CREATED:20260512T184412Z
LAST-MODIFIED:20260512T184412Z
UID:10035391-1805976000-1805990400@gridphilly.com
SUMMARY:2026 Cliveden House Tour Season
DESCRIPTION:2026 House Tour Season begins Friday\, May 1st\nThe 2026 house tour season begins Friday\, May 1\, 2026! Tours are available Thursdays through Sundays\, 12pm to 4pm\, beginning on the hour. The last tour of the day is at 3pm. Each tour is an hour-long experience\, led by a Cliveden Interpreter. Tours begin in the Cliveden Barn (located at 98 E. Cliveden Street\, 19119) followed by the grounds\, first and second floor of the House\, and our new exhibit\, Procuring Liberty in the Emerging Nation\, debuting in 2026. \nTours can be scheduled in advance through our website or in person during tour days. Please contact our office at 215-848-1777 if you require accommodation as tours include first and second floor of the house. To learn more about tours\, admission\, and for directions\, visithttps://cliveden.org/tours/. \nProcuring Liberty in the Emerging Nation \nThe North American continent became the site of war beginning in the 1750s and continued throughout the next three decades. The construction of Cliveden occurred during this violent time. A growing household of over twenty people at Cliveden reshaped their identities and looked to retain or procure their liberty at a time when discussions of freedom and independence were in everyone’s thoughts. This exhibit explores their experiences and struggles as a new nation formed. \nProcuring Liberty in the Emerging Nation is made possible by the generous support of The Mill Spring Foundation\, The Haley Foundation\, the Richard Dietrich III Foundation\, The Chester County History Center\, The Atwater Kent Collection at Drexel University\, The Ivy Lodge Collection\, The Germantown Historical Society\, The Library of Congress\, William Faris\, Ian Hughes\, and John P. Wood. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nGet In Touch!\n\n\n\n\n \n\n1-215-848-1777 \n\n\n\n\n\n\n \n\n6401 Germantown Avenue\, Philadelphia\, PA 19144 \n\n\n\n\n\n\nAboretum open to the public whenever gates are open \n\nAboretum open to the public whenever gates are open \n\n\n\n\n\n\n \n\ninfo@cliveden.org \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Us\n\n\n\n\n\nCliveden invites and gathers the community\, educates students\, teachers and public visitors and in a safe space\, convenes vital conversations about history\, race\, culture\, class\, gender\, civics and current events. We preserve this special place for community use and for future generations.
URL:https://gridphilly.com/event/2026-cliveden-house-tour-season/2027-03-25/
LOCATION:Cliveden\, 6401 Germantown Avenue\, Philadelphia\, PA\, 19144\, United States
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/05/Screenshot-2026-05-12-at-2.43.04-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270326T120000
DTEND;TZID=America/New_York:20270326T160000
DTSTAMP:20260515T111909
CREATED:20260512T184412Z
LAST-MODIFIED:20260512T184412Z
UID:10035392-1806062400-1806076800@gridphilly.com
SUMMARY:2026 Cliveden House Tour Season
DESCRIPTION:2026 House Tour Season begins Friday\, May 1st\nThe 2026 house tour season begins Friday\, May 1\, 2026! Tours are available Thursdays through Sundays\, 12pm to 4pm\, beginning on the hour. The last tour of the day is at 3pm. Each tour is an hour-long experience\, led by a Cliveden Interpreter. Tours begin in the Cliveden Barn (located at 98 E. Cliveden Street\, 19119) followed by the grounds\, first and second floor of the House\, and our new exhibit\, Procuring Liberty in the Emerging Nation\, debuting in 2026. \nTours can be scheduled in advance through our website or in person during tour days. Please contact our office at 215-848-1777 if you require accommodation as tours include first and second floor of the house. To learn more about tours\, admission\, and for directions\, visithttps://cliveden.org/tours/. \nProcuring Liberty in the Emerging Nation \nThe North American continent became the site of war beginning in the 1750s and continued throughout the next three decades. The construction of Cliveden occurred during this violent time. A growing household of over twenty people at Cliveden reshaped their identities and looked to retain or procure their liberty at a time when discussions of freedom and independence were in everyone’s thoughts. This exhibit explores their experiences and struggles as a new nation formed. \nProcuring Liberty in the Emerging Nation is made possible by the generous support of The Mill Spring Foundation\, The Haley Foundation\, the Richard Dietrich III Foundation\, The Chester County History Center\, The Atwater Kent Collection at Drexel University\, The Ivy Lodge Collection\, The Germantown Historical Society\, The Library of Congress\, William Faris\, Ian Hughes\, and John P. Wood. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nGet In Touch!\n\n\n\n\n \n\n1-215-848-1777 \n\n\n\n\n\n\n \n\n6401 Germantown Avenue\, Philadelphia\, PA 19144 \n\n\n\n\n\n\nAboretum open to the public whenever gates are open \n\nAboretum open to the public whenever gates are open \n\n\n\n\n\n\n \n\ninfo@cliveden.org \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Us\n\n\n\n\n\nCliveden invites and gathers the community\, educates students\, teachers and public visitors and in a safe space\, convenes vital conversations about history\, race\, culture\, class\, gender\, civics and current events. We preserve this special place for community use and for future generations.
URL:https://gridphilly.com/event/2026-cliveden-house-tour-season/2027-03-26/
LOCATION:Cliveden\, 6401 Germantown Avenue\, Philadelphia\, PA\, 19144\, United States
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/05/Screenshot-2026-05-12-at-2.43.04-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270326T120000
DTEND;TZID=America/New_York:20270326T170000
DTSTAMP:20260515T111909
CREATED:20260428T182613Z
LAST-MODIFIED:20260511T205034Z
UID:10035174-1806062400-1806080400@gridphilly.com
SUMMARY:Jesse Krimes: Elegy Quilts
DESCRIPTION:This new exhibition at The Fabric Workshop and Museum features selections from Jesse Krimes’s “Elegy Quilt” series (2020–present)\, a body of work that renders the personal effects of the U.S. carceral system through portraits of domestic spaces. Using donated textiles and American quilting traditions\, Krimes creates intricately patterned quilts that meditate on memory\, loss\, alienation\, comfort\, and resilience.
URL:https://gridphilly.com/event/jesse-krimes-elegy-quilts/2027-03-26/
LOCATION:The Fabric Workshop and Museum\, 1214 Arch Street\, Philadelphia\, PA\, 19107\, United States
CATEGORIES:Art Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/01_MGL_JKrimes_111220_136-1200-x-628.jpg
ORGANIZER;CN="The Fabric Workshop and Museum":MAILTO:kristina@fabricworkshopandmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270327T100000
DTEND;TZID=America/New_York:20270327T170000
DTSTAMP:20260515T111909
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10032027-1806141600-1806166800@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2027-03-27/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270327T120000
DTEND;TZID=America/New_York:20270327T160000
DTSTAMP:20260515T111909
CREATED:20260512T184412Z
LAST-MODIFIED:20260512T184412Z
UID:10035393-1806148800-1806163200@gridphilly.com
SUMMARY:2026 Cliveden House Tour Season
DESCRIPTION:2026 House Tour Season begins Friday\, May 1st\nThe 2026 house tour season begins Friday\, May 1\, 2026! Tours are available Thursdays through Sundays\, 12pm to 4pm\, beginning on the hour. The last tour of the day is at 3pm. Each tour is an hour-long experience\, led by a Cliveden Interpreter. Tours begin in the Cliveden Barn (located at 98 E. Cliveden Street\, 19119) followed by the grounds\, first and second floor of the House\, and our new exhibit\, Procuring Liberty in the Emerging Nation\, debuting in 2026. \nTours can be scheduled in advance through our website or in person during tour days. Please contact our office at 215-848-1777 if you require accommodation as tours include first and second floor of the house. To learn more about tours\, admission\, and for directions\, visithttps://cliveden.org/tours/. \nProcuring Liberty in the Emerging Nation \nThe North American continent became the site of war beginning in the 1750s and continued throughout the next three decades. The construction of Cliveden occurred during this violent time. A growing household of over twenty people at Cliveden reshaped their identities and looked to retain or procure their liberty at a time when discussions of freedom and independence were in everyone’s thoughts. This exhibit explores their experiences and struggles as a new nation formed. \nProcuring Liberty in the Emerging Nation is made possible by the generous support of The Mill Spring Foundation\, The Haley Foundation\, the Richard Dietrich III Foundation\, The Chester County History Center\, The Atwater Kent Collection at Drexel University\, The Ivy Lodge Collection\, The Germantown Historical Society\, The Library of Congress\, William Faris\, Ian Hughes\, and John P. Wood. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nGet In Touch!\n\n\n\n\n \n\n1-215-848-1777 \n\n\n\n\n\n\n \n\n6401 Germantown Avenue\, Philadelphia\, PA 19144 \n\n\n\n\n\n\nAboretum open to the public whenever gates are open \n\nAboretum open to the public whenever gates are open \n\n\n\n\n\n\n \n\ninfo@cliveden.org \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Us\n\n\n\n\n\nCliveden invites and gathers the community\, educates students\, teachers and public visitors and in a safe space\, convenes vital conversations about history\, race\, culture\, class\, gender\, civics and current events. We preserve this special place for community use and for future generations.
URL:https://gridphilly.com/event/2026-cliveden-house-tour-season/2027-03-27/
LOCATION:Cliveden\, 6401 Germantown Avenue\, Philadelphia\, PA\, 19144\, United States
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/05/Screenshot-2026-05-12-at-2.43.04-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270327T130000
DTEND;TZID=America/New_York:20270327T140000
DTSTAMP:20260515T111909
CREATED:20260428T191633Z
LAST-MODIFIED:20260428T191633Z
UID:10032515-1806152400-1806156000@gridphilly.com
SUMMARY:Exhibition Tours: A Nation of Artists
DESCRIPTION:The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents\, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. \nOrganized in conjunction with America’s 250th anniversary\, A Nation of Artists examines how artistic production in the United States has been shaped by creativity\, exchange\, expansion\, conflict\, and innovation. At PAFA\, works made from the late 18th century to today will be arranged thematically to explore scenes of westward expansion\, the rise of industry\, and international exchange. \nInstalled throughout PAFA’s recently restored Historic Landmark Building\, the exhibition will chart America’s history from 1700 to the present day thorough more than 1\,000 paintings\, photographs\, sculptures\, decorative arts\, and more. Across PAFA and the Philadelphia Museum of Art\, more than 120 rarely seen works from the Middleton Family Collection—one of the nation’s most significant private holdings of American art—will be on public view for the first time. \nTickets Include:\nAll day museum admission\n20% off food & drinks at the PAFA Museum Store
URL:https://gridphilly.com/event/exhibition-tours-a-nation-of-artists/2027-03-27/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
CATEGORIES:Art Exhibitions
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-101807.png
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270327T130000
DTEND;TZID=America/New_York:20270327T140000
DTSTAMP:20260515T111909
CREATED:20260504T134310Z
LAST-MODIFIED:20260504T134310Z
UID:10034574-1806152400-1806156000@gridphilly.com
SUMMARY:Exhibition Tours: A Nation of Artists
DESCRIPTION:The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents\, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. \nOrganized in conjunction with America’s 250th anniversary\, A Nation of Artists examines how artistic production in the United States has been shaped by creativity\, exchange\, expansion\, conflict\, and innovation. At PAFA\, works made from the late 18th century to today will be arranged thematically to explore scenes of westward expansion\, the rise of industry\, and international exchange. \nInstalled throughout PAFA’s recently restored Historic Landmark Building\, the exhibition will chart America’s history from 1700 to the present day thorough more than 1\,000 paintings\, photographs\, sculptures\, decorative arts\, and more. Across PAFA and the Philadelphia Museum of Art\, more than 120 rarely seen works from the Middleton Family Collection—one of the nation’s most significant private holdings of American art—will be on public view for the first time. \nTickets Include: \nAll day museum admission\n20% off food & drinks at the Aloft Hotel across the street\n15% off at the PAFA Museum Store
URL:https://gridphilly.com/event/exhibition-tours-a-nation-of-artists-2/2027-03-27/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/05/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270328T100000
DTEND;TZID=America/New_York:20270328T170000
DTSTAMP:20260515T111910
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031409-1806228000-1806253200@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2027-03-28/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270328T120000
DTEND;TZID=America/New_York:20270328T160000
DTSTAMP:20260515T111910
CREATED:20260512T184412Z
LAST-MODIFIED:20260512T184412Z
UID:10035394-1806235200-1806249600@gridphilly.com
SUMMARY:2026 Cliveden House Tour Season
DESCRIPTION:2026 House Tour Season begins Friday\, May 1st\nThe 2026 house tour season begins Friday\, May 1\, 2026! Tours are available Thursdays through Sundays\, 12pm to 4pm\, beginning on the hour. The last tour of the day is at 3pm. Each tour is an hour-long experience\, led by a Cliveden Interpreter. Tours begin in the Cliveden Barn (located at 98 E. Cliveden Street\, 19119) followed by the grounds\, first and second floor of the House\, and our new exhibit\, Procuring Liberty in the Emerging Nation\, debuting in 2026. \nTours can be scheduled in advance through our website or in person during tour days. Please contact our office at 215-848-1777 if you require accommodation as tours include first and second floor of the house. To learn more about tours\, admission\, and for directions\, visithttps://cliveden.org/tours/. \nProcuring Liberty in the Emerging Nation \nThe North American continent became the site of war beginning in the 1750s and continued throughout the next three decades. The construction of Cliveden occurred during this violent time. A growing household of over twenty people at Cliveden reshaped their identities and looked to retain or procure their liberty at a time when discussions of freedom and independence were in everyone’s thoughts. This exhibit explores their experiences and struggles as a new nation formed. \nProcuring Liberty in the Emerging Nation is made possible by the generous support of The Mill Spring Foundation\, The Haley Foundation\, the Richard Dietrich III Foundation\, The Chester County History Center\, The Atwater Kent Collection at Drexel University\, The Ivy Lodge Collection\, The Germantown Historical Society\, The Library of Congress\, William Faris\, Ian Hughes\, and John P. Wood. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nGet In Touch!\n\n\n\n\n \n\n1-215-848-1777 \n\n\n\n\n\n\n \n\n6401 Germantown Avenue\, Philadelphia\, PA 19144 \n\n\n\n\n\n\nAboretum open to the public whenever gates are open \n\nAboretum open to the public whenever gates are open \n\n\n\n\n\n\n \n\ninfo@cliveden.org \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Us\n\n\n\n\n\nCliveden invites and gathers the community\, educates students\, teachers and public visitors and in a safe space\, convenes vital conversations about history\, race\, culture\, class\, gender\, civics and current events. We preserve this special place for community use and for future generations.
URL:https://gridphilly.com/event/2026-cliveden-house-tour-season/2027-03-28/
LOCATION:Cliveden\, 6401 Germantown Avenue\, Philadelphia\, PA\, 19144\, United States
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/05/Screenshot-2026-05-12-at-2.43.04-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270328T120000
DTEND;TZID=America/New_York:20270328T170000
DTSTAMP:20260515T111910
CREATED:20260428T182613Z
LAST-MODIFIED:20260511T205034Z
UID:10035175-1806235200-1806253200@gridphilly.com
SUMMARY:Jesse Krimes: Elegy Quilts
DESCRIPTION:This new exhibition at The Fabric Workshop and Museum features selections from Jesse Krimes’s “Elegy Quilt” series (2020–present)\, a body of work that renders the personal effects of the U.S. carceral system through portraits of domestic spaces. Using donated textiles and American quilting traditions\, Krimes creates intricately patterned quilts that meditate on memory\, loss\, alienation\, comfort\, and resilience.
URL:https://gridphilly.com/event/jesse-krimes-elegy-quilts/2027-03-28/
LOCATION:The Fabric Workshop and Museum\, 1214 Arch Street\, Philadelphia\, PA\, 19107\, United States
CATEGORIES:Art Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/01_MGL_JKrimes_111220_136-1200-x-628.jpg
ORGANIZER;CN="The Fabric Workshop and Museum":MAILTO:kristina@fabricworkshopandmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270329T070000
DTEND;TZID=America/New_York:20270329T080000
DTSTAMP:20260515T111910
CREATED:20251226T200807Z
LAST-MODIFIED:20260104T231748Z
UID:10028018-1806303600-1806307200@gridphilly.com
SUMMARY:Morning Wellness Walks at Awbury
DESCRIPTION:Awbury’s 56-acre landscape tucked away in Germantown is a serene escape from the fast pace of the city of Philadelphia. Join us on our Wellness Walks and immerse yourself in nature as we take a moderately paced stroll through gardens\, woodlands\, roam around the farm\, and our ponds and meadows. \nJoin us Mondays & Thursdays from 7:00 am – 8:00 am at The Farm at Awbury for our Wellness Walks led by wellness coordinator Megan Do Nascimento! Questions? Contact our Wellness Walk coordinate Megan Do Nascimento at wellness@awbury.org.
URL:https://gridphilly.com/event/morning-wellness-walks-at-awbury/2027-03-29/
LOCATION:The Farm at Awbury Arboretum\, 6336 Ardleigh Street\, Philadelphia\, PA\, 19138\, United States
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2025/12/Screen-Shot-2025-12-26-at-3.07.23-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270329T100000
DTEND;TZID=America/New_York:20270329T170000
DTSTAMP:20260515T111910
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031410-1806314400-1806339600@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2027-03-29/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270329T100000
DTEND;TZID=America/New_York:20270329T170000
DTSTAMP:20260515T111910
CREATED:20260407T190822Z
LAST-MODIFIED:20260504T124311Z
UID:10031737-1806314400-1806339600@gridphilly.com
SUMMARY:Kati Gegenheimer: We've Only Just Begun
DESCRIPTION:Rooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. \nTo reinaugurate the newly renovated Morris Gallery\, PAFA presents Kati Gegenheimer: We’ve Only Just Begun\, an immersive monographic exhibition exploring love–familial\, romantic\, or brotherly–at this moment of profound social division. Anchored by a symbol-laden painted musical score of the titular line from the Carpenters’ 1970 song\, the exhibition presents works surveying how love is a necessary choice to be cultivated\, measured\, sustained\, or dismissed\, over time. \nRooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. Gegenheimer’s markmaking\, symbolism\, and vibrant use of color reclaim emblems of care and tenderness (hearts\, love notes\, hinges\, calendars\, keyholes\, to-do lists)\, and ponder how love is practiced over time rather than experienced in a singular instance. In an era driven by speed\, extraction\, and instant gratification\, the exhibition insists on return and continuity. \nGegenheimer’s paintings are devoted expressions of love\, luck\, and time\, drawing inspiration from art history\, architecture\, popular culture\, and craft. Her works embrace the decorative and diaristic\, each an altar to a fleeting moment. Reliant on color\, tempo\, and composition\, each of her paintings is a sign\, symbol\, and record all at once.
URL:https://gridphilly.com/event/kati-gegenheimer-weve-only-just-begun/2027-03-29/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-1.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270331T120000
DTEND;TZID=America/New_York:20270331T170000
DTSTAMP:20260515T111910
CREATED:20260428T182613Z
LAST-MODIFIED:20260511T205034Z
UID:10035176-1806494400-1806512400@gridphilly.com
SUMMARY:Jesse Krimes: Elegy Quilts
DESCRIPTION:This new exhibition at The Fabric Workshop and Museum features selections from Jesse Krimes’s “Elegy Quilt” series (2020–present)\, a body of work that renders the personal effects of the U.S. carceral system through portraits of domestic spaces. Using donated textiles and American quilting traditions\, Krimes creates intricately patterned quilts that meditate on memory\, loss\, alienation\, comfort\, and resilience.
URL:https://gridphilly.com/event/jesse-krimes-elegy-quilts/2027-03-31/
LOCATION:The Fabric Workshop and Museum\, 1214 Arch Street\, Philadelphia\, PA\, 19107\, United States
CATEGORIES:Art Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/01_MGL_JKrimes_111220_136-1200-x-628.jpg
ORGANIZER;CN="The Fabric Workshop and Museum":MAILTO:kristina@fabricworkshopandmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270401T100000
DTEND;TZID=America/New_York:20270401T170000
DTSTAMP:20260515T111910
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031411-1806573600-1806598800@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2027-04-01/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270401T100000
DTEND;TZID=America/New_York:20270401T170000
DTSTAMP:20260515T111910
CREATED:20260407T190822Z
LAST-MODIFIED:20260504T124311Z
UID:10031738-1806573600-1806598800@gridphilly.com
SUMMARY:Kati Gegenheimer: We've Only Just Begun
DESCRIPTION:Rooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. \nTo reinaugurate the newly renovated Morris Gallery\, PAFA presents Kati Gegenheimer: We’ve Only Just Begun\, an immersive monographic exhibition exploring love–familial\, romantic\, or brotherly–at this moment of profound social division. Anchored by a symbol-laden painted musical score of the titular line from the Carpenters’ 1970 song\, the exhibition presents works surveying how love is a necessary choice to be cultivated\, measured\, sustained\, or dismissed\, over time. \nRooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. Gegenheimer’s markmaking\, symbolism\, and vibrant use of color reclaim emblems of care and tenderness (hearts\, love notes\, hinges\, calendars\, keyholes\, to-do lists)\, and ponder how love is practiced over time rather than experienced in a singular instance. In an era driven by speed\, extraction\, and instant gratification\, the exhibition insists on return and continuity. \nGegenheimer’s paintings are devoted expressions of love\, luck\, and time\, drawing inspiration from art history\, architecture\, popular culture\, and craft. Her works embrace the decorative and diaristic\, each an altar to a fleeting moment. Reliant on color\, tempo\, and composition\, each of her paintings is a sign\, symbol\, and record all at once.
URL:https://gridphilly.com/event/kati-gegenheimer-weve-only-just-begun/2027-04-01/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-1.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270401T100000
DTEND;TZID=America/New_York:20270401T170000
DTSTAMP:20260515T111910
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10032029-1806573600-1806598800@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2027-04-01/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270401T120000
DTEND;TZID=America/New_York:20270401T160000
DTSTAMP:20260515T111910
CREATED:20260512T184412Z
LAST-MODIFIED:20260512T184412Z
UID:10035395-1806580800-1806595200@gridphilly.com
SUMMARY:2026 Cliveden House Tour Season
DESCRIPTION:2026 House Tour Season begins Friday\, May 1st\nThe 2026 house tour season begins Friday\, May 1\, 2026! Tours are available Thursdays through Sundays\, 12pm to 4pm\, beginning on the hour. The last tour of the day is at 3pm. Each tour is an hour-long experience\, led by a Cliveden Interpreter. Tours begin in the Cliveden Barn (located at 98 E. Cliveden Street\, 19119) followed by the grounds\, first and second floor of the House\, and our new exhibit\, Procuring Liberty in the Emerging Nation\, debuting in 2026. \nTours can be scheduled in advance through our website or in person during tour days. Please contact our office at 215-848-1777 if you require accommodation as tours include first and second floor of the house. To learn more about tours\, admission\, and for directions\, visithttps://cliveden.org/tours/. \nProcuring Liberty in the Emerging Nation \nThe North American continent became the site of war beginning in the 1750s and continued throughout the next three decades. The construction of Cliveden occurred during this violent time. A growing household of over twenty people at Cliveden reshaped their identities and looked to retain or procure their liberty at a time when discussions of freedom and independence were in everyone’s thoughts. This exhibit explores their experiences and struggles as a new nation formed. \nProcuring Liberty in the Emerging Nation is made possible by the generous support of The Mill Spring Foundation\, The Haley Foundation\, the Richard Dietrich III Foundation\, The Chester County History Center\, The Atwater Kent Collection at Drexel University\, The Ivy Lodge Collection\, The Germantown Historical Society\, The Library of Congress\, William Faris\, Ian Hughes\, and John P. Wood. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nGet In Touch!\n\n\n\n\n \n\n1-215-848-1777 \n\n\n\n\n\n\n \n\n6401 Germantown Avenue\, Philadelphia\, PA 19144 \n\n\n\n\n\n\nAboretum open to the public whenever gates are open \n\nAboretum open to the public whenever gates are open \n\n\n\n\n\n\n \n\ninfo@cliveden.org \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Us\n\n\n\n\n\nCliveden invites and gathers the community\, educates students\, teachers and public visitors and in a safe space\, convenes vital conversations about history\, race\, culture\, class\, gender\, civics and current events. We preserve this special place for community use and for future generations.
URL:https://gridphilly.com/event/2026-cliveden-house-tour-season/2027-04-01/
LOCATION:Cliveden\, 6401 Germantown Avenue\, Philadelphia\, PA\, 19144\, United States
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/05/Screenshot-2026-05-12-at-2.43.04-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270402T120000
DTEND;TZID=America/New_York:20270402T160000
DTSTAMP:20260515T111910
CREATED:20260512T184412Z
LAST-MODIFIED:20260512T184412Z
UID:10035396-1806667200-1806681600@gridphilly.com
SUMMARY:2026 Cliveden House Tour Season
DESCRIPTION:2026 House Tour Season begins Friday\, May 1st\nThe 2026 house tour season begins Friday\, May 1\, 2026! Tours are available Thursdays through Sundays\, 12pm to 4pm\, beginning on the hour. The last tour of the day is at 3pm. Each tour is an hour-long experience\, led by a Cliveden Interpreter. Tours begin in the Cliveden Barn (located at 98 E. Cliveden Street\, 19119) followed by the grounds\, first and second floor of the House\, and our new exhibit\, Procuring Liberty in the Emerging Nation\, debuting in 2026. \nTours can be scheduled in advance through our website or in person during tour days. Please contact our office at 215-848-1777 if you require accommodation as tours include first and second floor of the house. To learn more about tours\, admission\, and for directions\, visithttps://cliveden.org/tours/. \nProcuring Liberty in the Emerging Nation \nThe North American continent became the site of war beginning in the 1750s and continued throughout the next three decades. The construction of Cliveden occurred during this violent time. A growing household of over twenty people at Cliveden reshaped their identities and looked to retain or procure their liberty at a time when discussions of freedom and independence were in everyone’s thoughts. This exhibit explores their experiences and struggles as a new nation formed. \nProcuring Liberty in the Emerging Nation is made possible by the generous support of The Mill Spring Foundation\, The Haley Foundation\, the Richard Dietrich III Foundation\, The Chester County History Center\, The Atwater Kent Collection at Drexel University\, The Ivy Lodge Collection\, The Germantown Historical Society\, The Library of Congress\, William Faris\, Ian Hughes\, and John P. Wood. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nGet In Touch!\n\n\n\n\n \n\n1-215-848-1777 \n\n\n\n\n\n\n \n\n6401 Germantown Avenue\, Philadelphia\, PA 19144 \n\n\n\n\n\n\nAboretum open to the public whenever gates are open \n\nAboretum open to the public whenever gates are open \n\n\n\n\n\n\n \n\ninfo@cliveden.org \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Us\n\n\n\n\n\nCliveden invites and gathers the community\, educates students\, teachers and public visitors and in a safe space\, convenes vital conversations about history\, race\, culture\, class\, gender\, civics and current events. We preserve this special place for community use and for future generations.
URL:https://gridphilly.com/event/2026-cliveden-house-tour-season/2027-04-02/
LOCATION:Cliveden\, 6401 Germantown Avenue\, Philadelphia\, PA\, 19144\, United States
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/05/Screenshot-2026-05-12-at-2.43.04-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270402T120000
DTEND;TZID=America/New_York:20270402T170000
DTSTAMP:20260515T111910
CREATED:20260428T182613Z
LAST-MODIFIED:20260511T205034Z
UID:10035177-1806667200-1806685200@gridphilly.com
SUMMARY:Jesse Krimes: Elegy Quilts
DESCRIPTION:This new exhibition at The Fabric Workshop and Museum features selections from Jesse Krimes’s “Elegy Quilt” series (2020–present)\, a body of work that renders the personal effects of the U.S. carceral system through portraits of domestic spaces. Using donated textiles and American quilting traditions\, Krimes creates intricately patterned quilts that meditate on memory\, loss\, alienation\, comfort\, and resilience.
URL:https://gridphilly.com/event/jesse-krimes-elegy-quilts/2027-04-02/
LOCATION:The Fabric Workshop and Museum\, 1214 Arch Street\, Philadelphia\, PA\, 19107\, United States
CATEGORIES:Art Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/01_MGL_JKrimes_111220_136-1200-x-628.jpg
ORGANIZER;CN="The Fabric Workshop and Museum":MAILTO:kristina@fabricworkshopandmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270403T100000
DTEND;TZID=America/New_York:20270403T170000
DTSTAMP:20260515T111910
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10032031-1806746400-1806771600@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2027-04-03/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270403T120000
DTEND;TZID=America/New_York:20270403T160000
DTSTAMP:20260515T111910
CREATED:20260512T184412Z
LAST-MODIFIED:20260512T184412Z
UID:10035397-1806753600-1806768000@gridphilly.com
SUMMARY:2026 Cliveden House Tour Season
DESCRIPTION:2026 House Tour Season begins Friday\, May 1st\nThe 2026 house tour season begins Friday\, May 1\, 2026! Tours are available Thursdays through Sundays\, 12pm to 4pm\, beginning on the hour. The last tour of the day is at 3pm. Each tour is an hour-long experience\, led by a Cliveden Interpreter. Tours begin in the Cliveden Barn (located at 98 E. Cliveden Street\, 19119) followed by the grounds\, first and second floor of the House\, and our new exhibit\, Procuring Liberty in the Emerging Nation\, debuting in 2026. \nTours can be scheduled in advance through our website or in person during tour days. Please contact our office at 215-848-1777 if you require accommodation as tours include first and second floor of the house. To learn more about tours\, admission\, and for directions\, visithttps://cliveden.org/tours/. \nProcuring Liberty in the Emerging Nation \nThe North American continent became the site of war beginning in the 1750s and continued throughout the next three decades. The construction of Cliveden occurred during this violent time. A growing household of over twenty people at Cliveden reshaped their identities and looked to retain or procure their liberty at a time when discussions of freedom and independence were in everyone’s thoughts. This exhibit explores their experiences and struggles as a new nation formed. \nProcuring Liberty in the Emerging Nation is made possible by the generous support of The Mill Spring Foundation\, The Haley Foundation\, the Richard Dietrich III Foundation\, The Chester County History Center\, The Atwater Kent Collection at Drexel University\, The Ivy Lodge Collection\, The Germantown Historical Society\, The Library of Congress\, William Faris\, Ian Hughes\, and John P. Wood. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nGet In Touch!\n\n\n\n\n \n\n1-215-848-1777 \n\n\n\n\n\n\n \n\n6401 Germantown Avenue\, Philadelphia\, PA 19144 \n\n\n\n\n\n\nAboretum open to the public whenever gates are open \n\nAboretum open to the public whenever gates are open \n\n\n\n\n\n\n \n\ninfo@cliveden.org \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Us\n\n\n\n\n\nCliveden invites and gathers the community\, educates students\, teachers and public visitors and in a safe space\, convenes vital conversations about history\, race\, culture\, class\, gender\, civics and current events. We preserve this special place for community use and for future generations.
URL:https://gridphilly.com/event/2026-cliveden-house-tour-season/2027-04-03/
LOCATION:Cliveden\, 6401 Germantown Avenue\, Philadelphia\, PA\, 19144\, United States
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/05/Screenshot-2026-05-12-at-2.43.04-PM.png
END:VEVENT
END:VCALENDAR