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X-WR-CALDESC:Events for Grid Magazine
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DTSTART;TZID=America/New_York:20260803T100000
DTEND;TZID=America/New_York:20260803T170000
DTSTAMP:20260506T050905
CREATED:20260407T190822Z
LAST-MODIFIED:20260407T190822Z
UID:10031567-1785751200-1785776400@gridphilly.com
SUMMARY:Kati Gegenheimer: We've Only Just Begun
DESCRIPTION:Rooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. \nTo reinaugurate the newly renovated Morris Gallery\, PAFA presents Kati Gegenheimer: We’ve Only Just Begun\, an immersive monographic exhibition exploring love–familial\, romantic\, or brotherly–at this moment of profound social division. Anchored by a symbol-laden painted musical score of the titular line from the Carpenters’ 1970 song\, the exhibition presents works surveying how love is a necessary choice to be cultivated\, measured\, sustained\, or dismissed\, over time. \nRooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. Gegenheimer’s markmaking\, symbolism\, and vibrant use of color reclaim emblems of care and tenderness (hearts\, love notes\, hinges\, calendars\, keyholes\, to-do lists)\, and ponder how love is practiced over time rather than experienced in a singular instance. In an era driven by speed\, extraction\, and instant gratification\, the exhibition insists on return and continuity. \nGegenheimer’s paintings are devoted expressions of love\, luck\, and time\, drawing inspiration from art history\, architecture\, popular culture\, and craft. Her works embrace the decorative and diaristic\, each an altar to a fleeting moment. Reliant on color\, tempo\, and composition\, each of her paintings is a sign\, symbol\, and record all at once.
URL:https://gridphilly.com/event/kati-gegenheimer-weve-only-just-begun/2026-08-03/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-1.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260804T180000
DTEND;TZID=America/New_York:20260804T210000
DTSTAMP:20260506T050905
CREATED:20251227T160858Z
LAST-MODIFIED:20251227T160858Z
UID:10027862-1785866400-1785877200@gridphilly.com
SUMMARY:Intro to Ceramic Sculpture
DESCRIPTION:Students will create one of a kind ceramic sculptures that can be functional or decorative.\nIn this sculptural hand building class\, we will harness the power of our imaginations. Students will learn foundational handbuilding skills\, sculptural techniques\, and a variety of surface treatments & decorations. Students will create one of a kind ceramic sculptures that can be functional or decorative. Projects may include sculptural vessels\, animal sculpture and figure sculpture. Students are welcome and encouraged to bring their own project ideas to class. This class is appropriate for a range of skill levels\, from beginner to advanced. Whether you are looking to establish fundamental techniques or explore the bounds of your creativity and imagination\, this class is for you! \nClass will run Tuesday nights January 20th – February 24th 6pm – 9pm \n—— \nPlease note that this workshop takes place in the Utility Works basement\, which is only accessible via stairs. The class requires participants to be able to sit and/or stand for at least three hours and use their hands for two hours. You must be able to lift 25lbs. There are two gender-neutral bathrooms available for students\, including one that is ADA accessible. If you have specific accessibility needs or questions\, please contact us in advance so we can discuss potential accommodations.
URL:https://gridphilly.com/event/intro-to-ceramic-sculpture/2026-08-04/
LOCATION:Utility Works – Art Studios & Maker Space\, 32 East Baltimore Avenue\, Lansdowne\, PA\, 19050\, United States
CATEGORIES:Artists' Workshop Series,Arts & Culture,Classes & Workshops,Classes and Workshops
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2025/12/EventBrite-Banner-sculpture.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260806T100000
DTEND;TZID=America/New_York:20260806T170000
DTSTAMP:20260506T050905
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031241-1786010400-1786035600@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-08-06/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260806T100000
DTEND;TZID=America/New_York:20260806T170000
DTSTAMP:20260506T050905
CREATED:20260407T190822Z
LAST-MODIFIED:20260407T190822Z
UID:10031568-1786010400-1786035600@gridphilly.com
SUMMARY:Kati Gegenheimer: We've Only Just Begun
DESCRIPTION:Rooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. \nTo reinaugurate the newly renovated Morris Gallery\, PAFA presents Kati Gegenheimer: We’ve Only Just Begun\, an immersive monographic exhibition exploring love–familial\, romantic\, or brotherly–at this moment of profound social division. Anchored by a symbol-laden painted musical score of the titular line from the Carpenters’ 1970 song\, the exhibition presents works surveying how love is a necessary choice to be cultivated\, measured\, sustained\, or dismissed\, over time. \nRooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. Gegenheimer’s markmaking\, symbolism\, and vibrant use of color reclaim emblems of care and tenderness (hearts\, love notes\, hinges\, calendars\, keyholes\, to-do lists)\, and ponder how love is practiced over time rather than experienced in a singular instance. In an era driven by speed\, extraction\, and instant gratification\, the exhibition insists on return and continuity. \nGegenheimer’s paintings are devoted expressions of love\, luck\, and time\, drawing inspiration from art history\, architecture\, popular culture\, and craft. Her works embrace the decorative and diaristic\, each an altar to a fleeting moment. Reliant on color\, tempo\, and composition\, each of her paintings is a sign\, symbol\, and record all at once.
URL:https://gridphilly.com/event/kati-gegenheimer-weve-only-just-begun/2026-08-06/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-1.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260806T100000
DTEND;TZID=America/New_York:20260806T170000
DTSTAMP:20260506T050905
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10031893-1786010400-1786035600@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2026-08-06/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260806T150000
DTEND;TZID=America/New_York:20260806T170000
DTSTAMP:20260506T050905
CREATED:20260429T164507Z
LAST-MODIFIED:20260429T164507Z
UID:10032665-1786028400-1786035600@gridphilly.com
SUMMARY:Relax & Paint For NATURE & ANIMAL Lovers
DESCRIPTION:Unleash your inner artist at our animal-themed painting event – no experience required\, just good vibes and creativity!
URL:https://gridphilly.com/event/relax-paint-for-nature-animal-lovers-4/
LOCATION:Deal Street Arts & Community Center\, 1537 Deal Street\, Philadelphia\, PA\, 19124\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/f9831b1ebf98e339e207f697ed6230d6.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260808T100000
DTEND;TZID=America/New_York:20260808T170000
DTSTAMP:20260506T050905
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10031895-1786183200-1786208400@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2026-08-08/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260808T130000
DTEND;TZID=America/New_York:20260808T140000
DTSTAMP:20260506T050905
CREATED:20260428T191633Z
LAST-MODIFIED:20260428T191633Z
UID:10032482-1786194000-1786197600@gridphilly.com
SUMMARY:Exhibition Tours: A Nation of Artists
DESCRIPTION:The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents\, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. \nOrganized in conjunction with America’s 250th anniversary\, A Nation of Artists examines how artistic production in the United States has been shaped by creativity\, exchange\, expansion\, conflict\, and innovation. At PAFA\, works made from the late 18th century to today will be arranged thematically to explore scenes of westward expansion\, the rise of industry\, and international exchange. \nInstalled throughout PAFA’s recently restored Historic Landmark Building\, the exhibition will chart America’s history from 1700 to the present day thorough more than 1\,000 paintings\, photographs\, sculptures\, decorative arts\, and more. Across PAFA and the Philadelphia Museum of Art\, more than 120 rarely seen works from the Middleton Family Collection—one of the nation’s most significant private holdings of American art—will be on public view for the first time. \nTickets Include:\nAll day museum admission\n20% off food & drinks at the PAFA Museum Store
URL:https://gridphilly.com/event/exhibition-tours-a-nation-of-artists/2026-08-08/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
CATEGORIES:Art Exhibitions
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-101807.png
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260808T130000
DTEND;TZID=America/New_York:20260808T140000
DTSTAMP:20260506T050905
CREATED:20260504T134310Z
LAST-MODIFIED:20260504T134310Z
UID:10034541-1786194000-1786197600@gridphilly.com
SUMMARY:Exhibition Tours: A Nation of Artists
DESCRIPTION:The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents\, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. \nOrganized in conjunction with America’s 250th anniversary\, A Nation of Artists examines how artistic production in the United States has been shaped by creativity\, exchange\, expansion\, conflict\, and innovation. At PAFA\, works made from the late 18th century to today will be arranged thematically to explore scenes of westward expansion\, the rise of industry\, and international exchange. \nInstalled throughout PAFA’s recently restored Historic Landmark Building\, the exhibition will chart America’s history from 1700 to the present day thorough more than 1\,000 paintings\, photographs\, sculptures\, decorative arts\, and more. Across PAFA and the Philadelphia Museum of Art\, more than 120 rarely seen works from the Middleton Family Collection—one of the nation’s most significant private holdings of American art—will be on public view for the first time. \nTickets Include: \nAll day museum admission\n20% off food & drinks at the Aloft Hotel across the street\n15% off at the PAFA Museum Store
URL:https://gridphilly.com/event/exhibition-tours-a-nation-of-artists-2/2026-08-08/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/05/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260809T100000
DTEND;TZID=America/New_York:20260809T170000
DTSTAMP:20260506T050905
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031244-1786269600-1786294800@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-08-09/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260810T070000
DTEND;TZID=America/New_York:20260810T080000
DTSTAMP:20260506T050905
CREATED:20251226T200807Z
LAST-MODIFIED:20260104T231748Z
UID:10027985-1786345200-1786348800@gridphilly.com
SUMMARY:Morning Wellness Walks at Awbury
DESCRIPTION:Awbury’s 56-acre landscape tucked away in Germantown is a serene escape from the fast pace of the city of Philadelphia. Join us on our Wellness Walks and immerse yourself in nature as we take a moderately paced stroll through gardens\, woodlands\, roam around the farm\, and our ponds and meadows. \nJoin us Mondays & Thursdays from 7:00 am – 8:00 am at The Farm at Awbury for our Wellness Walks led by wellness coordinator Megan Do Nascimento! Questions? Contact our Wellness Walk coordinate Megan Do Nascimento at wellness@awbury.org.
URL:https://gridphilly.com/event/morning-wellness-walks-at-awbury/2026-08-10/
LOCATION:The Farm at Awbury Arboretum\, 6336 Ardleigh Street\, Philadelphia\, PA\, 19138\, United States
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2025/12/Screen-Shot-2025-12-26-at-3.07.23-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260810T100000
DTEND;TZID=America/New_York:20260810T170000
DTSTAMP:20260506T050905
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031245-1786356000-1786381200@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-08-10/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260810T100000
DTEND;TZID=America/New_York:20260810T170000
DTSTAMP:20260506T050905
CREATED:20260407T190822Z
LAST-MODIFIED:20260407T190822Z
UID:10031572-1786356000-1786381200@gridphilly.com
SUMMARY:Kati Gegenheimer: We've Only Just Begun
DESCRIPTION:Rooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. \nTo reinaugurate the newly renovated Morris Gallery\, PAFA presents Kati Gegenheimer: We’ve Only Just Begun\, an immersive monographic exhibition exploring love–familial\, romantic\, or brotherly–at this moment of profound social division. Anchored by a symbol-laden painted musical score of the titular line from the Carpenters’ 1970 song\, the exhibition presents works surveying how love is a necessary choice to be cultivated\, measured\, sustained\, or dismissed\, over time. \nRooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. Gegenheimer’s markmaking\, symbolism\, and vibrant use of color reclaim emblems of care and tenderness (hearts\, love notes\, hinges\, calendars\, keyholes\, to-do lists)\, and ponder how love is practiced over time rather than experienced in a singular instance. In an era driven by speed\, extraction\, and instant gratification\, the exhibition insists on return and continuity. \nGegenheimer’s paintings are devoted expressions of love\, luck\, and time\, drawing inspiration from art history\, architecture\, popular culture\, and craft. Her works embrace the decorative and diaristic\, each an altar to a fleeting moment. Reliant on color\, tempo\, and composition\, each of her paintings is a sign\, symbol\, and record all at once.
URL:https://gridphilly.com/event/kati-gegenheimer-weve-only-just-begun/2026-08-10/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-1.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260811T180000
DTEND;TZID=America/New_York:20260811T210000
DTSTAMP:20260506T050905
CREATED:20251227T160858Z
LAST-MODIFIED:20251227T160858Z
UID:10027863-1786471200-1786482000@gridphilly.com
SUMMARY:Intro to Ceramic Sculpture
DESCRIPTION:Students will create one of a kind ceramic sculptures that can be functional or decorative.\nIn this sculptural hand building class\, we will harness the power of our imaginations. Students will learn foundational handbuilding skills\, sculptural techniques\, and a variety of surface treatments & decorations. Students will create one of a kind ceramic sculptures that can be functional or decorative. Projects may include sculptural vessels\, animal sculpture and figure sculpture. Students are welcome and encouraged to bring their own project ideas to class. This class is appropriate for a range of skill levels\, from beginner to advanced. Whether you are looking to establish fundamental techniques or explore the bounds of your creativity and imagination\, this class is for you! \nClass will run Tuesday nights January 20th – February 24th 6pm – 9pm \n—— \nPlease note that this workshop takes place in the Utility Works basement\, which is only accessible via stairs. The class requires participants to be able to sit and/or stand for at least three hours and use their hands for two hours. You must be able to lift 25lbs. There are two gender-neutral bathrooms available for students\, including one that is ADA accessible. If you have specific accessibility needs or questions\, please contact us in advance so we can discuss potential accommodations.
URL:https://gridphilly.com/event/intro-to-ceramic-sculpture/2026-08-11/
LOCATION:Utility Works – Art Studios & Maker Space\, 32 East Baltimore Avenue\, Lansdowne\, PA\, 19050\, United States
CATEGORIES:Artists' Workshop Series,Arts & Culture,Classes & Workshops,Classes and Workshops
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2025/12/EventBrite-Banner-sculpture.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260813T090000
DTEND;TZID=America/New_York:20260813T110000
DTSTAMP:20260506T050905
CREATED:20251223T212952Z
LAST-MODIFIED:20251223T212952Z
UID:10027715-1786611600-1786618800@gridphilly.com
SUMMARY:Wellness Walks at Welkinweir Arboretum
DESCRIPTION:Reconnect with nature and yourself on a guided wellness walk.  Slow down\, breathe deeply\, and find calm through mindfulmtime outdoors.
URL:https://gridphilly.com/event/wellness-walks-at-welkinweir-arboretum-8/
LOCATION:Welkinweir\, 1368 Prizer Road\, Pottstown\, PA\, 19465\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2025/12/7ec1306d645c4421b81fa12b7b6a257e.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260813T100000
DTEND;TZID=America/New_York:20260813T170000
DTSTAMP:20260506T050905
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031246-1786615200-1786640400@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-08-13/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260813T100000
DTEND;TZID=America/New_York:20260813T170000
DTSTAMP:20260506T050905
CREATED:20260407T190822Z
LAST-MODIFIED:20260407T190822Z
UID:10031573-1786615200-1786640400@gridphilly.com
SUMMARY:Kati Gegenheimer: We've Only Just Begun
DESCRIPTION:Rooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. \nTo reinaugurate the newly renovated Morris Gallery\, PAFA presents Kati Gegenheimer: We’ve Only Just Begun\, an immersive monographic exhibition exploring love–familial\, romantic\, or brotherly–at this moment of profound social division. Anchored by a symbol-laden painted musical score of the titular line from the Carpenters’ 1970 song\, the exhibition presents works surveying how love is a necessary choice to be cultivated\, measured\, sustained\, or dismissed\, over time. \nRooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. Gegenheimer’s markmaking\, symbolism\, and vibrant use of color reclaim emblems of care and tenderness (hearts\, love notes\, hinges\, calendars\, keyholes\, to-do lists)\, and ponder how love is practiced over time rather than experienced in a singular instance. In an era driven by speed\, extraction\, and instant gratification\, the exhibition insists on return and continuity. \nGegenheimer’s paintings are devoted expressions of love\, luck\, and time\, drawing inspiration from art history\, architecture\, popular culture\, and craft. Her works embrace the decorative and diaristic\, each an altar to a fleeting moment. Reliant on color\, tempo\, and composition\, each of her paintings is a sign\, symbol\, and record all at once.
URL:https://gridphilly.com/event/kati-gegenheimer-weve-only-just-begun/2026-08-13/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-1.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260813T100000
DTEND;TZID=America/New_York:20260813T170000
DTSTAMP:20260506T050905
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10031897-1786615200-1786640400@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2026-08-13/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260815T093000
DTEND;TZID=America/New_York:20260815T120000
DTSTAMP:20260506T050905
CREATED:20260219T182826Z
LAST-MODIFIED:20260219T182826Z
UID:10029077-1786786200-1786795200@gridphilly.com
SUMMARY:Share Food Program's Community Farming Day
DESCRIPTION: Get your hands in the soil with us at Nice Roots Farm!Our 2026 Community Farming Days at Share Food Program’s urban farm are just around the corner! In partnership with Philadelphia Orchard Project\, our Community Farming Days are your chance to help grow organic produce for our community while learning about urban agriculture and food justice. All skill levels are welcome!  Time: 9:30 AM – 12:00 PM Location: Nice Roots Farm\, Philadelphia Volunteering is open to all ages — no farming experience necessary!Sign up and learn more at the Share Food Program farming page: sharefoodprogram.org/get-involved/farming
URL:https://gridphilly.com/event/share-food-programs-community-farming-day-6/
LOCATION:Share Food Warehouse\, 2901 W Hunting Park Ave\, Philadelphia\, 19129\, United States
CATEGORIES:Urban Farming,Volunteer,Volunteer Opportunities,Volunteer Service
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/02/Community-Farming-Days.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260815T100000
DTEND;TZID=America/New_York:20260815T170000
DTSTAMP:20260506T050905
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10031899-1786788000-1786813200@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2026-08-15/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260815T130000
DTEND;TZID=America/New_York:20260815T140000
DTSTAMP:20260506T050905
CREATED:20260428T191633Z
LAST-MODIFIED:20260428T191633Z
UID:10032483-1786798800-1786802400@gridphilly.com
SUMMARY:Exhibition Tours: A Nation of Artists
DESCRIPTION:The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents\, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. \nOrganized in conjunction with America’s 250th anniversary\, A Nation of Artists examines how artistic production in the United States has been shaped by creativity\, exchange\, expansion\, conflict\, and innovation. At PAFA\, works made from the late 18th century to today will be arranged thematically to explore scenes of westward expansion\, the rise of industry\, and international exchange. \nInstalled throughout PAFA’s recently restored Historic Landmark Building\, the exhibition will chart America’s history from 1700 to the present day thorough more than 1\,000 paintings\, photographs\, sculptures\, decorative arts\, and more. Across PAFA and the Philadelphia Museum of Art\, more than 120 rarely seen works from the Middleton Family Collection—one of the nation’s most significant private holdings of American art—will be on public view for the first time. \nTickets Include:\nAll day museum admission\n20% off food & drinks at the PAFA Museum Store
URL:https://gridphilly.com/event/exhibition-tours-a-nation-of-artists/2026-08-15/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
CATEGORIES:Art Exhibitions
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-101807.png
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260815T130000
DTEND;TZID=America/New_York:20260815T140000
DTSTAMP:20260506T050905
CREATED:20260504T134310Z
LAST-MODIFIED:20260504T134310Z
UID:10034542-1786798800-1786802400@gridphilly.com
SUMMARY:Exhibition Tours: A Nation of Artists
DESCRIPTION:The Nation of Artists tour explores the diverse narratives of American art and identity throughout the newly restored Historic Landmark Building. Led by experienced docents\, the tour examines the internationalism and global exchange of American art while also highlighting works from the 18th century to the modern day which feature American artists responding to the social conditions of their time. \nOrganized in conjunction with America’s 250th anniversary\, A Nation of Artists examines how artistic production in the United States has been shaped by creativity\, exchange\, expansion\, conflict\, and innovation. At PAFA\, works made from the late 18th century to today will be arranged thematically to explore scenes of westward expansion\, the rise of industry\, and international exchange. \nInstalled throughout PAFA’s recently restored Historic Landmark Building\, the exhibition will chart America’s history from 1700 to the present day thorough more than 1\,000 paintings\, photographs\, sculptures\, decorative arts\, and more. Across PAFA and the Philadelphia Museum of Art\, more than 120 rarely seen works from the Middleton Family Collection—one of the nation’s most significant private holdings of American art—will be on public view for the first time. \nTickets Include: \nAll day museum admission\n20% off food & drinks at the Aloft Hotel across the street\n15% off at the PAFA Museum Store
URL:https://gridphilly.com/event/exhibition-tours-a-nation-of-artists-2/2026-08-15/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/05/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260816T100000
DTEND;TZID=America/New_York:20260816T170000
DTSTAMP:20260506T050905
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031249-1786874400-1786899600@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-08-16/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260817T070000
DTEND;TZID=America/New_York:20260817T080000
DTSTAMP:20260506T050905
CREATED:20251226T200807Z
LAST-MODIFIED:20260104T231748Z
UID:10027986-1786950000-1786953600@gridphilly.com
SUMMARY:Morning Wellness Walks at Awbury
DESCRIPTION:Awbury’s 56-acre landscape tucked away in Germantown is a serene escape from the fast pace of the city of Philadelphia. Join us on our Wellness Walks and immerse yourself in nature as we take a moderately paced stroll through gardens\, woodlands\, roam around the farm\, and our ponds and meadows. \nJoin us Mondays & Thursdays from 7:00 am – 8:00 am at The Farm at Awbury for our Wellness Walks led by wellness coordinator Megan Do Nascimento! Questions? Contact our Wellness Walk coordinate Megan Do Nascimento at wellness@awbury.org.
URL:https://gridphilly.com/event/morning-wellness-walks-at-awbury/2026-08-17/
LOCATION:The Farm at Awbury Arboretum\, 6336 Ardleigh Street\, Philadelphia\, PA\, 19138\, United States
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2025/12/Screen-Shot-2025-12-26-at-3.07.23-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260817T100000
DTEND;TZID=America/New_York:20260817T170000
DTSTAMP:20260506T050905
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031250-1786960800-1786986000@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-08-17/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260817T100000
DTEND;TZID=America/New_York:20260817T170000
DTSTAMP:20260506T050905
CREATED:20260407T190822Z
LAST-MODIFIED:20260407T190822Z
UID:10031577-1786960800-1786986000@gridphilly.com
SUMMARY:Kati Gegenheimer: We've Only Just Begun
DESCRIPTION:Rooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. \nTo reinaugurate the newly renovated Morris Gallery\, PAFA presents Kati Gegenheimer: We’ve Only Just Begun\, an immersive monographic exhibition exploring love–familial\, romantic\, or brotherly–at this moment of profound social division. Anchored by a symbol-laden painted musical score of the titular line from the Carpenters’ 1970 song\, the exhibition presents works surveying how love is a necessary choice to be cultivated\, measured\, sustained\, or dismissed\, over time. \nRooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. Gegenheimer’s markmaking\, symbolism\, and vibrant use of color reclaim emblems of care and tenderness (hearts\, love notes\, hinges\, calendars\, keyholes\, to-do lists)\, and ponder how love is practiced over time rather than experienced in a singular instance. In an era driven by speed\, extraction\, and instant gratification\, the exhibition insists on return and continuity. \nGegenheimer’s paintings are devoted expressions of love\, luck\, and time\, drawing inspiration from art history\, architecture\, popular culture\, and craft. Her works embrace the decorative and diaristic\, each an altar to a fleeting moment. Reliant on color\, tempo\, and composition\, each of her paintings is a sign\, symbol\, and record all at once.
URL:https://gridphilly.com/event/kati-gegenheimer-weve-only-just-begun/2026-08-17/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-1.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260818T180000
DTEND;TZID=America/New_York:20260818T210000
DTSTAMP:20260506T050905
CREATED:20251227T160858Z
LAST-MODIFIED:20251227T160858Z
UID:10027864-1787076000-1787086800@gridphilly.com
SUMMARY:Intro to Ceramic Sculpture
DESCRIPTION:Students will create one of a kind ceramic sculptures that can be functional or decorative.\nIn this sculptural hand building class\, we will harness the power of our imaginations. Students will learn foundational handbuilding skills\, sculptural techniques\, and a variety of surface treatments & decorations. Students will create one of a kind ceramic sculptures that can be functional or decorative. Projects may include sculptural vessels\, animal sculpture and figure sculpture. Students are welcome and encouraged to bring their own project ideas to class. This class is appropriate for a range of skill levels\, from beginner to advanced. Whether you are looking to establish fundamental techniques or explore the bounds of your creativity and imagination\, this class is for you! \nClass will run Tuesday nights January 20th – February 24th 6pm – 9pm \n—— \nPlease note that this workshop takes place in the Utility Works basement\, which is only accessible via stairs. The class requires participants to be able to sit and/or stand for at least three hours and use their hands for two hours. You must be able to lift 25lbs. There are two gender-neutral bathrooms available for students\, including one that is ADA accessible. If you have specific accessibility needs or questions\, please contact us in advance so we can discuss potential accommodations.
URL:https://gridphilly.com/event/intro-to-ceramic-sculpture/2026-08-18/
LOCATION:Utility Works – Art Studios & Maker Space\, 32 East Baltimore Avenue\, Lansdowne\, PA\, 19050\, United States
CATEGORIES:Artists' Workshop Series,Arts & Culture,Classes & Workshops,Classes and Workshops
ATTACH;FMTTYPE=image/png:https://gridphilly.com/wp-content/uploads/2025/12/EventBrite-Banner-sculpture.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260820T100000
DTEND;TZID=America/New_York:20260820T170000
DTSTAMP:20260506T050905
CREATED:20260407T190629Z
LAST-MODIFIED:20260407T190629Z
UID:10031251-1787220000-1787245200@gridphilly.com
SUMMARY:Bodies and Souls
DESCRIPTION:“My concern is with humanity. I want to confront the viewer with life and with what we are doing to each other. I hope to awaken in the viewer a sense of compassion . . . without compassion there is nothing.”\n—Luis Cruz Azaceta \nBodies and Souls examines the liberatory power of figurative art. Though often treated as conservative in the second half of the 20th century\, artists used representational and realist methods to assert presence for those omitted from dominant narratives or harmfully depicted by those outside their communities. Realism and representation remain powerful means to show embodied human experience\, encompassing gender\, sexuality\, interpersonal relationships\, psychological states\, and connections to home. \nThese methods can help us imagine the world we want to live in. Representational art has been critical for artists who want to make themselves and their communities visible on their own terms. It provides the agency to see and be seen\, to show relationships\, pleasure\, and autonomy. Representing ourselves is a powerful means of celebrating our full humanity. \nThis is the throughline of an eclectic collection formed by Philadelphians Robert and Frances Coulborn Kohler. Bodies and Souls celebrates their devotion to artists and immense generosity towards PAFA. Featuring over 120 works given and promised to the museum\, the exhibition will examine prominent themes in the collection\, integrating artists who are often seen independently or as part of regional communities. \nBodies and Souls is presented concurrently with an exhibition of the same title featuring the Kohlers’ personal collection at Woodmere\, Charles Knox Smith Hall\, 9201 Germantown Ave. Bodies & Souls – Woodmere. \nFeatured Artwork: Rafael Ferrer (born 1933) El Bolero\, 1983–84. Oil on canvas; 60 × 72 in. © Rafael Ferrer\, courtesy of the artist \nThe exhibition will include works by Robert Arneson\, Luis Cruz Azaceta\, Joan Brown\, Roy DeForest\, Rafael Ferrer\, Viola Frey\, Gregory Gillespie\, Juan Gonzalez\, Red Grooms\, Anne Minich\, Gladys Nilsson\, Ed Paschke\, Christina Ramberg\, Winfred Rembert\, Tabitha Vevers\, John Wilde\, Didier William\, Karl Wirsum\, and many others.
URL:https://gridphilly.com/event/bodies-and-souls/2026-08-20/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260820T100000
DTEND;TZID=America/New_York:20260820T170000
DTSTAMP:20260506T050905
CREATED:20260407T190822Z
LAST-MODIFIED:20260407T190822Z
UID:10031578-1787220000-1787245200@gridphilly.com
SUMMARY:Kati Gegenheimer: We've Only Just Begun
DESCRIPTION:Rooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. \nTo reinaugurate the newly renovated Morris Gallery\, PAFA presents Kati Gegenheimer: We’ve Only Just Begun\, an immersive monographic exhibition exploring love–familial\, romantic\, or brotherly–at this moment of profound social division. Anchored by a symbol-laden painted musical score of the titular line from the Carpenters’ 1970 song\, the exhibition presents works surveying how love is a necessary choice to be cultivated\, measured\, sustained\, or dismissed\, over time. \nRooted in painting but extending into architecture and social space\, the exhibition positions love not as a private or sentimental subject\, but as a serious aesthetic\, political\, and communal structure. Gegenheimer’s markmaking\, symbolism\, and vibrant use of color reclaim emblems of care and tenderness (hearts\, love notes\, hinges\, calendars\, keyholes\, to-do lists)\, and ponder how love is practiced over time rather than experienced in a singular instance. In an era driven by speed\, extraction\, and instant gratification\, the exhibition insists on return and continuity. \nGegenheimer’s paintings are devoted expressions of love\, luck\, and time\, drawing inspiration from art history\, architecture\, popular culture\, and craft. Her works embrace the decorative and diaristic\, each an altar to a fleeting moment. Reliant on color\, tempo\, and composition\, each of her paintings is a sign\, symbol\, and record all at once.
URL:https://gridphilly.com/event/kati-gegenheimer-weve-only-just-begun/2026-08-20/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-1.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260820T100000
DTEND;TZID=America/New_York:20260820T170000
DTSTAMP:20260506T050905
CREATED:20260409T021546Z
LAST-MODIFIED:20260418T183529Z
UID:10031901-1787220000-1787245200@gridphilly.com
SUMMARY:FRED WILSON: THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom
DESCRIPTION:THE MASTER PLAN or In Between the Big Bang and Modern Art Is the Restroom is a suite of twenty-two photogravures commissioned in 2004 by the Brodsky Center at PAFA and completed in 2009. They are on view for the first time at PAFA in the Works on Paper Gallery of the Historic Landmark Building\, for one year\, in conjunction with the exhibition A Nation of Artists. \nAs an artist living and working in New York City\, I had to support myself one way or another. Working simultaneously in the educational department of the Metropolitan Museum of Art\, the American Museum of Natural History\, and the American Crafts Museum made me wonder about how the environment in which cultural production is placed affects the way the viewer feels about the artwork and the artist who made these things. \n—Fred Wilson \nThe prints reproduce floor outlines from visitor orientation maps of eighteen major art\, cultural\, and natural history museums in North America and Europe. The succession of diagrammatic images\, precisely etched in off-white and black inks\, encourage viewers to revisit memories of time spent in museums and recapture the sense of adventure sparked by picking up a map. \nAs one of the most influential American artists of this century\, Fred Wilson has set in motion a profound transformation prompting museums to reconsider how they engage viewers’ learning experiences through art and artifacts. Two hundred and fifty years after Charles Willson Peale (1741–1827) established the American museum at the nation’s birth as the destination for educational advancement—commemorated in his painting The Artist in His Museum (1822)\, on view in the rotunda—Wilson examines the consequential role museums have played since. \nWilson’s conceptual inquiry challenges museums as neutral repositories of knowledge. His groundbreaking 1992 installation at the Maryland Historical Society\, Mining the Museum\, exhumed omitted histories of colonized and enslaved people and shifted attention to the authority embedded in institutional architecture\, furniture\, labels\, and registration systems through his creative retooling of the display apparatus. His subsequent work in glass\, sculpture\, painting\, drawing\, and print addresses the cross-continental history central to the Black experience\, including themes of race\, diaspora\, liberation\, and mourning.
URL:https://gridphilly.com/event/fred-wilson-the-master-plan-or-in-between-the-big-bang-and-modern-art-is-the-restroom/2026-08-20/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118-128 North Broad Street\, Philadelphia\, PA\, 19102\, United States
ATTACH;FMTTYPE=image/jpeg:https://gridphilly.com/wp-content/uploads/2026/04/banner-2.jpg
ORGANIZER;CN="Pennsylvania Academy of the Fine Arts":MAILTO:info@pafa.org
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